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doctor in law from the university of salamanca

1658-1664 oil on canvas, 194x103cm se

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doctor in law from the university of salamanca, Francisco de Zurbaran
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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran doctor in law from the university of salamanca

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | John A. Woodside--Still Life Peaches and Grapes | John William Godward (32) | John Constable53 | Gilbert Stuart - George Washington (Lansdowne Portrait) | Karel Dujardin -- White horse in an Italian landscape | Carle Vanloo-The Concert | REMBRANDT Harmenszoon van Rijn-Baartjen Mrten Doomer | Monamy, Peter-English Cutter-righged yacht in two positions | Mehoffer, Jozef-The Strange Garden (mk19) | unknow artist-Sexy body, female nudes, classical nudes 97 |

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Francisco de Zurbaran