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stigmatization of st

francis. 1631-1640 oil on canvas, 250x200cm se

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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran stigmatization of st

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Jacopo della Quercia--Study for the Fonte Gaia of Siena | Dujardin, Karel -- Italiaans landschap met soldaten, 1652-1700 | Edvard Munch73 | John Arthur Roebuck from NPG | Manierre Dawson--Statement | Jens Juel-Magdalen Charlotte Hedevig Numsen | Hugh Henry Breckenridge-White Phlox | Monamy, Peter-The Bombardment of Alicante | Michelangelo Buonarroti-Christ Crucified between the Virgin and Nicodemus | Gustave Courbet-The Origin of the World |

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Francisco de Zurbaran