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artoldo

1637-1639 oil on bord, 120x64cm se

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artoldo, Francisco de Zurbaran
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Francisco de Zurbaran:

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. china oil painting Francisco de Zurbaran artoldo

Related Paintings to Francisco de Zurbaran :.
| Oil painting in USA | Domenichino -- Landscape with Flight into Egypt | Neuhuys, Albert -- Vissersvrijage, 1880 | Country Engagement | Ercole Graziani the Younger--Adoration of the Magi | Raffaello Santi033 (2) | Albrecht Durer-The Great Crucifixion | Henri Decaisne-Un Peuplier a laurore pras des lacs du Bourget | Correggio-Nativity | French school-hunting with falcons at the court of philip the good | Jean Baptiste Simeon Chardin-PLAYING gyro juvenile |

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Francisco de Zurbaran