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The View of the Archpriest in

230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape

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The View of the Archpriest in, Julius Schnorr von Carolsfeld
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Julius Schnorr von Carolsfeld:

1794-1872 Painter and draughtsman, brother of Ludwig Ferdinand Schnorr von Carolsfeld. He was taught engraving by his father and then trained under Heinrich Feger at the Akademie in Vienna (1811-15). Though not particularly excited by the curriculum, he was inspired by his friendship with Ferdinand Olivier and Joseph Anton Koch and the circle around A. W. Schlegel to an interest in both landscape sketching and in old German and Netherlandish art, as reflected in the style of the detailed pen drawing of the Prodigal Son (1816; Dresden, Kupferstichkab.). From 1815 to 1818 he lived in the house of Ferdinand Olivier, whose step-daughter, Marie Heller, he later married. A painting of 1817, St Roch Distributing Alms china oil painting Julius Schnorr von Carolsfeld The View of the Archpriest in

Related Paintings to Julius Schnorr von Carolsfeld :.
| Oil painting in USA | Antonio Cabral Bejarano A Bolreo dancer | Storck, Abraham -- Walvisvangst, 1654-1708 | Paul Gauguin11 | Cuyp, Aelbert -- Landschap met herders en vee, 1650-1660 | John Constable175 | Ivan Aivazovsky-View Of The Ayu Dag Crimea | Blake, William-Dante and Virgil at the Gates of Hell | Pieter Bruegel-Fried ugly | Henri Rousseau-View of Montsouris Park | Louis Lcart-Naughty |

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Julius Schnorr von Carolsfeld