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Artist: Albrecht Durer
St Peter and St John Healing the Cripple
ID::. 63638
Size: 20x24 INS

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St Peter and St John Healing the CripplestretcherstretchedFrame ID: Ta026Frame ID: Ta087Frame ID: TA198Frame ID: Ta3070-1Frame ID: ta3071-1Frame ID: ta3078-1Frame ID: ta3081-1Frame ID: Ta3123-3Frame ID: Ta3139-1Frame ID: Ta3142-1Frame ID: Ta001Frame ID: Ta001-2Frame ID: Ta002Frame ID: ta003Frame ID: Ta012Frame ID: Ta016Frame ID: Ta017Frame ID: Ta020Frame ID: Ta021Frame ID: Ta021sFrame ID: Ta034Frame ID: Ta035Frame ID: Ta039Frame ID: Ta043Frame ID: Ta050Frame ID: Ta051Frame ID: Ta068Frame ID: Ta082Frame ID: Ta086Frame ID: ta096Frame ID: Ta112Frame ID: Ta125-4Frame ID: Ta144Frame ID: Ta149-2Frame ID: Ta159Frame ID: TA213Frame ID: ta214Frame ID: ta220


   Albrecht Durer St Peter and St John Healing the Cripple   

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Albrecht Durer

b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
ID: 63638 St Peter and St John Healing the Cripple 1513 Engraving, 118 x 74 mm Metropolitan Museum of Art, New York Sheet No. 16 of the Engraved Passion. This engraving, considered as the last sheet of the Engraved Passion, is, in fact, outside the scope of a Passion series. D?rer cannot possibly have intended it as the final sheet. It may therefore be presumed that he planned to add further subjects which were never completed. It has been left out of most of the old bound copies of the Engraved Passion, and may have been intended as the first sheet of a projected series of the Apostles. The contrast of the statuesque greatness of the Apostle and the merciless condition of the cripple is notable. This engraving is perhaps derived from Masaccio's fresco The Tribute Money in the Brancacci Chapel in Florence. St Peter is based on a drawing for the Heller Altarpiece; the man on the far left is inspired by a medal of John Paleologus. The ailment of the cripple has been identified as leprosy.Artist:D?RER, Albrecht Title: St Peter and St John Healing the Cripple (No. 16) Painted in 1501-1550 , German - - graphics : religious









 

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