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Artist: unknow artist
Beheading of St Paul
ID::. 63094
Size: 20x24 INS

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Beheading of St PaulstretcherstretchedFrame ID: Ta026Frame ID: Ta087Frame ID: TA198Frame ID: Ta3070-1Frame ID: ta3071-1Frame ID: ta3078-1Frame ID: ta3081-1Frame ID: Ta3123-3Frame ID: Ta3139-1Frame ID: Ta3142-1Frame ID: Ta001Frame ID: Ta001-2Frame ID: Ta002Frame ID: ta003Frame ID: Ta012Frame ID: Ta016Frame ID: Ta017Frame ID: Ta020Frame ID: Ta021Frame ID: Ta021sFrame ID: Ta034Frame ID: Ta035Frame ID: Ta039Frame ID: Ta043Frame ID: Ta050Frame ID: Ta051Frame ID: Ta068Frame ID: Ta082Frame ID: Ta086Frame ID: ta096Frame ID: Ta112Frame ID: Ta125-4Frame ID: Ta144Frame ID: Ta149-2Frame ID: Ta159Frame ID: TA213Frame ID: ta214Frame ID: ta220


   unknow artist Beheading of St Paul   

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ID: 63094 Beheading of St Paul 1650 Marble, height: 286 cm San Paolo Maggiore, Bologna Virgilio Spada, a career ecclesiastic whose family had established itself in Bologna engineered one of Algardi's greatest triumphs of the 1630s, the dramatic altarpiece of the Beheading of St Paul for the Bolognese church of San Paolo Maggiore. Unusual in Rome, such sculptural altars were not unknown in Venice and in the region around Bologna. Algardi created a masterpiece without equal in Baroque sculpture. Often compared to painted altarpieces, Algardi's tableau exploits the traditional strength of sculpture by achieving a fully rounded, spatially complex group which plays upon the contrasting types and emotions of the figures. Having established action frozen in time, the sculptor sets a spiral pattern in motion, from the poised right arm of the executioner through the shoulders and arms of the kneeling saint and back to his assailant's right leg and drapery. The centre of the composition is a void, and tension builds up because of the imminent execution and the inevitability of martyrdom. Artist: ALGARDI, Alessandro Painting Title: Beheading of St Paul , 1601-1650 Painting Style: Italian , sculpture Type: religious









 

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