All Tintoretto Oil Paintings

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
 

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Tintoretto The Slaughter of the Innocents oil on canvas


The Slaughter of the Innocents
The Slaughter of the Innocents
Painting ID::  32697
  1582-87 Oil on canvas, 422 x 546 cm
  1582-87 Oil on canvas, 422 x 546 cm

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Tintoretto St Mary Magdalen oil on canvas


St Mary Magdalen
St Mary Magdalen
Painting ID::  32698
  1582-87 Oil on canvas, 425 x 209 cm
  1582-87 Oil on canvas, 425 x 209 cm

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Tintoretto St Mary of Egypt oil on canvas


St Mary of Egypt
St Mary of Egypt
Painting ID::  32699
  1582-87 Oil on canvas, 425 x 211 cm
  1582-87 Oil on canvas, 425 x 211 cm

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Tintoretto The Circumcision oil on canvas


The Circumcision
The Circumcision
Painting ID::  32700
  c. 1587 Oil on canvas, 440 x 482 cm
  c. 1587 Oil on canvas, 440 x 482 cm

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Tintoretto The Deliverance of Arsinoe oil on canvas


The Deliverance of Arsinoe
The Deliverance of Arsinoe
Painting ID::  32701
  c. 1560 Oil on canvas, 153 x 251 cm
  c. 1560 Oil on canvas, 153 x 251 cm

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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