All Raphael Oil Paintings

Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
 

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Raphael The Holy Family with Beardless St.Joseph oil on canvas


The Holy Family with Beardless St.Joseph
The Holy Family with Beardless St.Joseph
Painting ID::  3309
  1506 The Hermitage, St.Petersburg
  1506 The Hermitage, St.Petersburg

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  INS/CM       Quality

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Raphael Guidobaldo da Montefeltro oil on canvas


Guidobaldo da Montefeltro
Guidobaldo da Montefeltro
Painting ID::  3310
  Galleria degli Uffizi, Florence
  Galleria degli Uffizi, Florence

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Raphael Madonna of the Goldfinch oil on canvas


Madonna of the Goldfinch
Madonna of the Goldfinch
Painting ID::  3311
  1505-06 Galleria degli Uffizi, Florence
  1505-06 Galleria degli Uffizi, Florence

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Raphael The Blessing Christ oil on canvas


The Blessing Christ
The Blessing Christ
Painting ID::  3312
  Pinacoteca Tosio Martinengo, Brescia
  Pinacoteca Tosio Martinengo, Brescia

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Raphael St.George and the Dragon oil on canvas


St.George and the Dragon
St.George and the Dragon
Painting ID::  3313
  1504-06 11 1/8" x 8 3/8" The National Gallery of Art, Washington DC
  1504-06 11 1/8" x 8 3/8" The National Gallery of Art, Washington DC

Height    Width


  INS/CM       Quality

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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