All BOL, Ferdinand Oil Paintings

Dutch Baroque Era Painter, 1616-1680 Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol.[2] Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants.[3] In 1641 Bol started his own studio. In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam. Portrait of a Woman Dressed as a Huntress by Ferdinand Bol, courtesy Figge Art MuseumBy this time Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil.[5] Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.[6] Bol's first wife died 1660. In 1669 Bol married for the second time to Anna van Arckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7]In 1672 the couple moved to Keizersgracht 472, then a newly designed part of the city, and now the Museum van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived. Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.
 

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BOL, Ferdinand Portrait of a Man fdg oil on canvas


Portrait of a Man fdg
Portrait of a Man fdg
Painting ID::  5214
  Oil on canvas, 87 x 72 cm Alte Pinakothek, Munich
  Oil on canvas, 87 x 72 cm Alte Pinakothek, Munich

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BOL, Ferdinand Governors of the Wine MerchaGovernors of the Wine MerchaGovernors of the Wine Merchant s Guildn's Gu oil on canvas


Governors of the Wine MerchaGovernors of the Wine MerchaGovernors of the Wine Merchant s Guildn's Gu
Governors of the Wine MerchaGovernors of the Wine MerchaGovernors of the Wine Merchant s Guildn's Gu
Painting ID::  5215
  Oil on canvas, 193 x 305 cm Alte Pinakothek, Munich
  Oil on canvas, 193 x 305 cm Alte Pinakothek, Munich

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BOL, Ferdinand Jacob s Dream oil on canvas


Jacob s Dream
Jacob s Dream
Painting ID::  5216
  c. 1642 Oil on canvas, 128,5 x 97 cm Gemäldegalerie, Dresden
  c. 1642 Oil on canvas, 128,5 x 97 cm Gemäldegalerie, Dresden

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BOL, Ferdinand Venus and Adonis jh oil on canvas


Venus and Adonis jh
Venus and Adonis jh
Painting ID::  5217
  c. 1658 Oil on canvas, 168 x 230 cm Rijksmuseum, Amsterdam
  c. 1658 Oil on canvas, 168 x 230 cm Rijksmuseum, Amsterdam

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BOL, Ferdinand Governors of the Wine Merchant's Guild oil on canvas


Governors of the Wine Merchant's Guild
Governors of the Wine Merchant's Guild
Painting ID::  32261
  Oil on canvas, 193 x 305 cm
  Oil on canvas, 193 x 305 cm

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     BOL, Ferdinand
     Dutch Baroque Era Painter, 1616-1680 Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol.[2] Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants.[3] In 1641 Bol started his own studio. In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam. Portrait of a Woman Dressed as a Huntress by Ferdinand Bol, courtesy Figge Art MuseumBy this time Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil.[5] Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.[6] Bol's first wife died 1660. In 1669 Bol married for the second time to Anna van Arckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7]In 1672 the couple moved to Keizersgracht 472, then a newly designed part of the city, and now the Museum van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived. Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.

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