All Domenico Morelli Oil Paintings

Italian, 1826-1901,Italian painter and teacher. Unique among his Italian colleagues in enjoying an international reputation in his lifetime, he was, with Filippo Palizzi (see PALIZZI, (2)), the leading exponent of the Neapolitan school of painting in the second half of the 19th century and a major figure in the artistic and cultural life of Italy. His realistic treatment of Romantic subjects revitalized academic painting,
 

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Domenico Morelli The Temptation of St.Anthony oil on canvas


The Temptation of St.Anthony
The Temptation of St.Anthony
Painting ID::  40015
  mk155 c.1878 Oil on canvas 137x225cm
  mk155 c.1878 Oil on canvas 137x225cm

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Domenico Morelli Ritratto di donna in rosso oil on canvas


Ritratto di donna in rosso
Ritratto di donna in rosso
Painting ID::  73496
  c. 1855 Oil on canvas 50 X 32 cm cjr
  c. 1855 Oil on canvas 50 X 32 cm cjr

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Domenico Morelli Le tentazioni di Sant'Antonio oil on canvas


Le tentazioni di Sant'Antonio
Le tentazioni di Sant'Antonio
Painting ID::  73497
  1878(1878) Oil on canvas 137 X 225 cm cjr
  1878(1878) Oil on canvas 137 X 225 cm cjr

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Domenico Morelli Ritratto di donna in rosso oil on canvas


Ritratto di donna in rosso
Ritratto di donna in rosso
Painting ID::  75191
  Date c. 1855 Medium Oil on canvas Dimensions 50 X 32 cm cyf
  Date c. 1855 Medium Oil on canvas Dimensions 50 X 32 cm cyf

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Domenico Morelli Le tentazioni di Sant Antonio oil on canvas


Le tentazioni di Sant Antonio
Le tentazioni di Sant Antonio
Painting ID::  75192
  Date 1878(1878) Medium Oil on canvas Dimensions 137 X 225 cm cyf
  Date 1878(1878) Medium Oil on canvas Dimensions 137 X 225 cm cyf

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     Domenico Morelli
     Italian, 1826-1901,Italian painter and teacher. Unique among his Italian colleagues in enjoying an international reputation in his lifetime, he was, with Filippo Palizzi (see PALIZZI, (2)), the leading exponent of the Neapolitan school of painting in the second half of the 19th century and a major figure in the artistic and cultural life of Italy. His realistic treatment of Romantic subjects revitalized academic painting,

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