All Francis William Edmonds Oil Paintings

American, 1806-1863,American painter and banker. He achieved recognition both as a painter and as a banker, juggling careers with consummate skill. In 1826 he enrolled at the National Academy of Design while working in a New York bank. Somewhat insecure, he initially exhibited between 1836 and 1838 under the pseudonym E. F. Williams, but favourable reviews subsequently prompted him to use his own name. In 1840-41 Edmonds spent eight months in Europe, where he studied the Old Masters; he particularly admired the 17th-century Dutch painters Pieter de Hooch and Gabriel Metsu.
 

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Francis William Edmonds The Speculator oil on canvas


The Speculator
The Speculator
Painting ID::  38350
  mk136 Oil on canvas 1852
  mk136 Oil on canvas 1852

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Francis William Edmonds Vesuvius oil on canvas


Vesuvius
Vesuvius
Painting ID::  51378
  mk218 1844 OIl on canvas 59.7x73.7cm
  mk218 1844 OIl on canvas 59.7x73.7cm

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Francis William Edmonds All Talk and No Work oil on canvas


All Talk and No Work
All Talk and No Work
Painting ID::  71641
  between 1855(1855) and 1856(1856) Oil on canvas 61.1 x 50.3 cm (24.06 x 19.8 in)
  between 1855(1855) and 1856(1856) Oil on canvas 61.1 x 50.3 cm (24.06 x 19.8 in)

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Francis William Edmonds All Talk and No Work oil on canvas


All Talk and No Work
All Talk and No Work
Painting ID::  72844
  Date between 1855(1855) and 1856(1856) Medium Oil on canvas Dimensions 61.1 X 50.3 cm (24.06 X 19.8 in) cyf
  Date between 1855(1855) and 1856(1856) Medium Oil on canvas Dimensions 61.1 X 50.3 cm (24.06 X 19.8 in) cyf

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     Francis William Edmonds
     American, 1806-1863,American painter and banker. He achieved recognition both as a painter and as a banker, juggling careers with consummate skill. In 1826 he enrolled at the National Academy of Design while working in a New York bank. Somewhat insecure, he initially exhibited between 1836 and 1838 under the pseudonym E. F. Williams, but favourable reviews subsequently prompted him to use his own name. In 1840-41 Edmonds spent eight months in Europe, where he studied the Old Masters; he particularly admired the 17th-century Dutch painters Pieter de Hooch and Gabriel Metsu.

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