All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 
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Diego Velazquez Two Men at a Table oil on canvas


Two Men at a Table
Two Men at a Table
Painting ID::  731 		  Wellington Museum, London
  Wellington Museum, London

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Diego Velazquez The Waterseller of Seville oil on canvas


The Waterseller of Seville
The Waterseller of Seville
Painting ID::  732 		  1623 Wellington Museum, London, England
  1623 Wellington Museum, London, England

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Diego Velazquez Luis Gongora y Argote oil on canvas


Luis Gongora y Argote
Luis Gongora y Argote
Painting ID::  733 		  1622 Museum of Fine Arts, Boston
  1622 Museum of Fine Arts, Boston

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Diego Velazquez Joseph's Bloody Coat Brought to Jacob oil on canvas


Joseph's Bloody Coat Brought to Jacob
Joseph's Bloody Coat Brought to Jacob
Painting ID::  734 		  1630 Monasterio de San Lorenzo, El Escorial
  1630 Monasterio de San Lorenzo, El Escorial

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Diego Velazquez Philip IV oil on canvas


Philip IV
Philip IV
Painting ID::  735 		  1624-27 Museo del Prado,, Madrid
  1624-27 Museo del Prado,, Madrid

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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