All MAULBERTSCH, Franz Anton Oil Paintings

Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century
 
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MAULBERTSCH, Franz Anton Joseph and his Brothers t oil on canvas


Joseph and his Brothers t
Joseph and his Brothers t
Painting ID::  8154 		  1745-50 Oil on canvas, 73 x 90,5 cm Museum of Fine Arts, Budapest
  1745-50 Oil on canvas, 73 x 90,5 cm Museum of Fine Arts, Budapest

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MAULBERTSCH, Franz Anton Interior of the Church sg oil on canvas


Interior of the Church sg
Interior of the Church sg
Painting ID::  8155 		  Parish Church, S??meg
  Parish Church, S??meg

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MAULBERTSCH, Franz Anton Adoration of the Shepherds (detail) sg oil on canvas


Adoration of the Shepherds (detail) sg
Adoration of the Shepherds (detail) sg
Painting ID::  8156 		  1758 Fresco Parish Church, S??meg
  1758 Fresco Parish Church, S??meg

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MAULBERTSCH, Franz Anton Visitation (detail) sgh oil on canvas


Visitation (detail) sgh
Visitation (detail) sgh
Painting ID::  8157 		  1771-77 Fresco Cathedral, V??c
  1771-77 Fresco Cathedral, V??c

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MAULBERTSCH, Franz Anton Annunciation (study) sg oil on canvas


Annunciation (study) sg
Annunciation (study) sg
Painting ID::  8158 		  1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely
  1794 Oil on canvas, 81 x 52 cm Bishop's Residence, Szombathely

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     MAULBERTSCH, Franz Anton
     Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century

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