All Carlo Crivelli Oil Paintings

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
 
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Carlo Crivelli Annunciation with Saint Emidius oil on canvas


Annunciation with Saint Emidius
Annunciation with Saint Emidius
Painting ID::  669 		  1486 National Gallery, London
  1486 National Gallery, London

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Carlo Crivelli Lamentation over the Dead Christ oil on canvas


Lamentation over the Dead Christ
Lamentation over the Dead Christ
Painting ID::  670 		  1485 Museum of Fine Arts, Boston
  1485 Museum of Fine Arts, Boston

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Carlo Crivelli Madonna and Child Enthroned with a Donor oil on canvas


Madonna and Child Enthroned with a Donor
Madonna and Child Enthroned with a Donor
Painting ID::  671 		  1470 National Gallery of Art, Washington DC
  1470 National Gallery of Art, Washington DC

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Carlo Crivelli St.James of Marche with Two Kneeling Donors oil on canvas


St.James of Marche with Two Kneeling Donors
St.James of Marche with Two Kneeling Donors
Painting ID::  672 		  Musee du Louvre, Paris
  Musee du Louvre, Paris

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Carlo Crivelli St.Roch oil on canvas


St.Roch
St.Roch
Painting ID::  673 		 
 

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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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