All Theodore Robinson Oil Paintings

1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.
 

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Theodore Robinson Pere Trognon and His Daughter at the Bridge oil on canvas


Pere Trognon and His Daughter at the Bridge
Pere Trognon and His Daughter at the Bridge
Painting ID::  60583
  P??re Trognon and His Daughter at the Bridge, (1891)
  P??re Trognon and His Daughter at the Bridge, (1891)

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  INS/CM       Quality

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Theodore Robinson Theodore Robinson, Jamaica, Vermont, oil on canvas


Theodore Robinson, Jamaica, Vermont,
Theodore Robinson, Jamaica, Vermont,
Painting ID::  60584
  Theodore Robinson, Jamaica, Vermont, (1895)
  Theodore Robinson, Jamaica, Vermont, (1895)

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Theodore Robinson Willows oil on canvas


Willows
Willows
Painting ID::  71171
  ca. 1892(1892) Oil on canvas 45.6 x 55.1 cm (17.95 x 21.69 in)
  ca. 1892(1892) Oil on canvas 45.6 x 55.1 cm (17.95 x 21.69 in)

Height    Width


  INS/CM       Quality

X

  

Theodore Robinson The Watering Pots oil on canvas


The Watering Pots
The Watering Pots
Painting ID::  71851
  ca. 1890(1890) Oil on canvas 55.9 x 45.8 cm (22.01 x 18.03 in)
  ca. 1890(1890) Oil on canvas 55.9 x 45.8 cm (22.01 x 18.03 in)

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X

  

Theodore Robinson At the Fountain oil on canvas


At the Fountain
At the Fountain
Painting ID::  72040
  c.1890 Oil on canvas 81.28 x 66.04 cm cjr
  c.1890 Oil on canvas 81.28 x 66.04 cm cjr

Height    Width


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     Theodore Robinson
     1852-1896 Theodore Robinson (July 3, 1852 ?C April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. In 1884 Robinson returned to France where he would live for the next eight years, visiting America only occasionally. Robinson gravitated to Giverny, which had become a center of French impressionist art under the influence of Claude Monet. La Debacle, 1892, collection: Scripps College, Claremont, CaliforniaHistorians are unclear when Robinson met Monet, but by 1888 their friendship was enough for Robinson to move in next door to the famous impressionist. Robinson's art shifted to a more traditional impressionistic manner during this time, likely due to Monet's influence. While a number of American artists had gathered at Giverny, none were as close to Monet as Robinson. Monet offered advice to Robinson, and he likewise solicited Robinson for opinions on Monet's own works in progress. At Giverny, Robinson painted what art historians regard as some of his finest works. These depicted the surrounding countryside in different weather, in the plein air tradition, sometimes with women shown in leisurely poses. An example of his mature work during this period is La Debacle (1892) in the collection of Scripps College, Claremont California.

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