All Samuel Palmer Oil Paintings

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
 
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Samuel Palmer The Lonely Tower oil on canvas


The Lonely Tower
The Lonely Tower
Painting ID::  26438 		  mk49 before 1881 Watercolour, 16.5x23.5cm
  mk49 before 1881 Watercolour, 16.5x23.5cm

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Samuel Palmer The Bellman oil on canvas


The Bellman
The Bellman
Painting ID::  26439 		  mk49 before 1881 Watercolour
  mk49 before 1881 Watercolour

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Samuel Palmer Till Vesper Bade the Swain oil on canvas


Till Vesper Bade the Swain
Till Vesper Bade the Swain
Painting ID::  26440 		  mk49 1879 Watercolour 12.5x19.2cm
  mk49 1879 Watercolour 12.5x19.2cm

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Samuel Palmer Tityrus Restored to his Patrimony oil on canvas


Tityrus Restored to his Patrimony
Tityrus Restored to his Patrimony
Painting ID::  26441 		  mk49 c.1874 Watercolour and gouache,with touches of gum arabic on card laid down on paper 50.2x69.9cm
  mk49 c.1874 Watercolour and gouache,with touches of gum arabic on card laid down on paper 50.2x69.9cm

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Samuel Palmer Classical River Scene oil on canvas


Classical River Scene
Classical River Scene
Painting ID::  26442 		  mk49 c.1878 Watercolour and gouache on card, 23.1xx35.2cm
  mk49 c.1878 Watercolour and gouache on card, 23.1xx35.2cm

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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