All Matthias Grunewald Oil Paintings

German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,
 

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Matthias Grunewald Isenheim Altarpiece, formerly the main altarpiece of the Antonine in Isenheim oil on canvas


Isenheim Altarpiece, formerly the main altarpiece of the Antonine in Isenheim
Isenheim Altarpiece, formerly the main altarpiece of the Antonine in Isenheim
Painting ID::  92609
  1512-1516 Medium oil on panel Dimensions Deutsch: 265 X 304 cm cjr
  1512-1516 Medium oil on panel Dimensions Deutsch: 265 X 304 cm cjr

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Matthias Grunewald Isenheimer Altar, ehemals Hauptaltar des Antoniterklosters in Isenheim, zweite Schauseite, rechter oil on canvas


Isenheimer Altar, ehemals Hauptaltar des Antoniterklosters in Isenheim, zweite Schauseite, rechter
Isenheimer Altar, ehemals Hauptaltar des Antoniterklosters in Isenheim, zweite Schauseite, rechter
Painting ID::  92614
  1512-1516 Medium oil on panel Dimensions Deutsch: 269 X 143 cm cjr
  1512-1516 Medium oil on panel Dimensions Deutsch: 269 X 143 cm cjr

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Matthias Grunewald The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  97784
  circa 1515(1515) Medium oil on panel cyf
  circa 1515(1515) Medium oil on panel cyf

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Matthias Grunewald Lamentation of Christ oil on canvas


Lamentation of Christ
Lamentation of Christ
Painting ID::  98017
  before 1523(1523) Medium oil on pine wood cyf
  before 1523(1523) Medium oil on pine wood cyf

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Matthias Grunewald Lamentation of Christ oil on canvas


Lamentation of Christ
Lamentation of Christ
Painting ID::  98018
  before 1523(1523) Medium oil on pine wood cyf
  before 1523(1523) Medium oil on pine wood cyf

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     Matthias Grunewald
     German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter,

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