All James Tissot Oil Paintings

French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
 

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James Tissot The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  51695
  nn09 c.1886-96 Watercolor and gouache on paper
  nn09 c.1886-96 Watercolor and gouache on paper

Height    Width


  INS/CM       Quality

X

  

James Tissot Hagar and the Angel in the Desert oil on canvas


Hagar and the Angel in the Desert
Hagar and the Angel in the Desert
Painting ID::  51762
  nn09 c.1896-1900 Watercolor on paper 23.8x15.3cm
  nn09 c.1896-1900 Watercolor on paper 23.8x15.3cm

Height    Width


  INS/CM       Quality

X

  

James Tissot THe Staircase oil on canvas


THe Staircase
THe Staircase
Painting ID::  51799
  mk221 1869 Oil on wood 55.9x38.1cm
  mk221 1869 Oil on wood 55.9x38.1cm

Height    Width


  INS/CM       Quality

X

  

James Tissot The Newspaper oil on canvas


The Newspaper
The Newspaper
Painting ID::  54090
  mk235 1883 Oil on canvas 63x50cm
  mk235 1883 Oil on canvas 63x50cm

Height    Width


  INS/CM       Quality

X

  

James Tissot Berthe oil on canvas


Berthe
Berthe
Painting ID::  54091
  mk235 1883 Oil on canvas 73x59cm
  mk235 1883 Oil on canvas 73x59cm

Height    Width


  INS/CM       Quality

X

  

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     James Tissot
     French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

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