All GRECO, El Oil Paintings

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
 

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GRECO, El St John the Evangelist and St Francis oil on canvas


St John the Evangelist and St Francis
St John the Evangelist and St Francis
Painting ID::  43765
  c. 1608 Oil on canvas, 64 x 50
  c. 1608 Oil on canvas, 64 x 50

Height    Width


  INS/CM       Quality

X

  

GRECO, El The Virgin of the Immaculate Conception oil on canvas


The Virgin of the Immaculate Conception
The Virgin of the Immaculate Conception
Painting ID::  43766
  1605-10 Oil on canvas, 108 x 82 cm
  1605-10 Oil on canvas, 108 x 82 cm

Height    Width


  INS/CM       Quality

X

  

GRECO, El A Prelate oil on canvas


A Prelate
A Prelate
Painting ID::  43767
  Oil on canvas, 107 x 90 cm
  Oil on canvas, 107 x 90 cm

Height    Width


  INS/CM       Quality

X

  

GRECO, El Apostle St James the Greater oil on canvas


Apostle St James the Greater
Apostle St James the Greater
Painting ID::  43768
  1610-14 Oil on canvas, 97 x 77 cm
  1610-14 Oil on canvas, 97 x 77 cm

Height    Width


  INS/CM       Quality

X

  

GRECO, El Apostle St John the Evangelist oil on canvas


Apostle St John the Evangelist
Apostle St John the Evangelist
Painting ID::  43769
  1610-14 Oil on canvas, 97 x 77 cm
  1610-14 Oil on canvas, 97 x 77 cm

Height    Width


  INS/CM       Quality

X

  

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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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