All Frederic Edwin Church Oil Paintings

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
 
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Frederic Edwin Church The Old Boat oil on canvas


The Old Boat
The Old Boat
Painting ID::  10658 		  1850Oil on composition board Thyssen-Bornemisza Museum, Madrid; 28 x 43.2 cm
  1850Oil on composition board Thyssen-Bornemisza Museum, Madrid; 28 x 43.2 cm

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Frederic Edwin Church Beacon, off Mount Desert Island oil on canvas


Beacon, off Mount Desert Island
Beacon, off Mount Desert Island
Painting ID::  10659 		  1851 Oil on canvas; 31 x 46 in.
  1851 Oil on canvas; 31 x 46 in.

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Frederic Edwin Church New England Scenery oil on canvas


New England Scenery
New England Scenery
Painting ID::  10660 		  1851; Oil on canvas; George Walter Vincent Smith Art Museum, Springfield, Massachusetts;36x53in
  1851; Oil on canvas; George Walter Vincent Smith Art Museum, Springfield, Massachusetts;36x53in

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Frederic Edwin Church Lake Scene in Mount Desert oil on canvas


Lake Scene in Mount Desert
Lake Scene in Mount Desert
Painting ID::  10661 		  1851Oil on canvas 20.69 x 30.88 in
  1851Oil on canvas 20.69 x 30.88 in

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Frederic Edwin Church Home by the Lake oil on canvas


Home by the Lake
Home by the Lake
Painting ID::  10662 		  1852Oil on canvas 32 x 48.25 in.
  1852Oil on canvas 32 x 48.25 in.

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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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