All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 
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Frans Hals The Women Regents of the Haarlem Almshouse oil on canvas


The Women Regents of the Haarlem Almshouse
The Women Regents of the Haarlem Almshouse
Painting ID::  1517 		  1664 Frans Hals Museum
  1664 Frans Hals Museum

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Frans Hals Portrait of a Young Man Holding a Glove oil on canvas


Portrait of a Young Man Holding a Glove
Portrait of a Young Man Holding a Glove
Painting ID::  1518 		  1650 The Hermitage, St.Petersburg
  1650 The Hermitage, St.Petersburg

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Frans Hals Boy with a Lute oil on canvas


Boy with a Lute
Boy with a Lute
Painting ID::  1519 		 
 

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Frans Hals Jester with a Lute (mk05) oil on canvas


Jester with a Lute (mk05)
Jester with a Lute (mk05)
Painting ID::  20389 		  Wood,28 x 24 1/2''(71 x 62 cm)Assigned to the Louvre in 1984
  Wood,28 x 24 1/2''(71 x 62 cm)Assigned to the Louvre in 1984

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Frans Hals Portrait of a Woman (mk05) oil on canvas


Portrait of a Woman (mk05)
Portrait of a Woman (mk05)
Painting ID::  20391 		  Canvas,42 1/2 x 31 1/2''(108 x 80 cm)Bequest of Dr.Louis La Caze 1869
  Canvas,42 1/2 x 31 1/2''(108 x 80 cm)Bequest of Dr.Louis La Caze 1869

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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