All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Democritus (detail) (df01) oil on canvas


Democritus (detail) (df01)
Democritus (detail) (df01)
Painting ID::  22502
  1628-1629 Cat no 40
  1628-1629 Cat no 40

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Diego Velazquez Head of a Stag (df01) oil on canvas


Head of a Stag (df01)
Head of a Stag (df01)
Painting ID::  22503
  1626-1627 Cat no 33
  1626-1627 Cat no 33

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Diego Velazquez Adoration of the Magi (detail) (df01) oil on canvas


Adoration of the Magi (detail) (df01)
Adoration of the Magi (detail) (df01)
Painting ID::  22504
  1619 Cat.no 13 Portrait of Pacheco
  1619 Cat.no 13 Portrait of Pacheco

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Diego Velazquez Christ in the House of Martha and Mary (detail) (df01) oil on canvas


Christ in the House of Martha and Mary (detail) (df01)
Christ in the House of Martha and Mary (detail) (df01)
Painting ID::  22505
  1618 cat no 7
  1618 cat no 7

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Diego Velazquez Christ in the House of Martha and Mary (df01) oil on canvas


Christ in the House of Martha and Mary (df01)
Christ in the House of Martha and Mary (df01)
Painting ID::  22506
  1618 Cat no 7
  1618 Cat no 7

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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