All Bartolome Esteban Murillo Oil Paintings

Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
 

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Bartolome Esteban Murillo The Little Fruit Seller oil on canvas


The Little Fruit Seller
The Little Fruit Seller
Painting ID::  33638
  mk86 c.1670-1675 Oil on canvas 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
  mk86 c.1670-1675 Oil on canvas 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

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Bartolome Esteban Murillo The Liberation of The Apostle peter from the Dungeon oil on canvas


The Liberation of The Apostle peter from the Dungeon
The Liberation of The Apostle peter from the Dungeon
Painting ID::  39506
  mk149 1667-70
  mk149 1667-70

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Bartolome Esteban Murillo Our Lady of the Immaculate Conception oil on canvas


Our Lady of the Immaculate Conception
Our Lady of the Immaculate Conception
Painting ID::  40471
  mk156 c.1645-50 Oil on canvas 235x196cm
  mk156 c.1645-50 Oil on canvas 235x196cm

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Bartolome Esteban Murillo Madonna and Child oil on canvas


Madonna and Child
Madonna and Child
Painting ID::  40486
  mk156 c.1655 Oil on canvas 155x105cm
  mk156 c.1655 Oil on canvas 155x105cm

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Bartolome Esteban Murillo Boy with a Dog oil on canvas


Boy with a Dog
Boy with a Dog
Painting ID::  40491
  mk156 1655-60 Oil oncanvs 70x60cm
  mk156 1655-60 Oil oncanvs 70x60cm

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     Bartolome Esteban Murillo
     Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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