All BRUEGEL, Pieter the Elder Oil Paintings

Flemish Northern Renaissance Painter, ca.1525-1569 (born c. 1525, probably Breda, duchy of Brabant ?? died Sept. 5/9, 1569, Brussels) Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived. His sons, Peter Brueghel the Younger and Jan, the Elder Brueghel (both of whom restored to the name the h their father had abandoned), and later imitators carried his style into the 18th century.
 

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BRUEGEL, Pieter the Elder liknelsen om de binda oil on canvas


liknelsen om de binda
liknelsen om de binda
Painting ID::  56509
  mk248 en detalj fran bruegels sista stora verk syftar pa ett citat ur matteus evangeliet om en blind leder en blinb faller bada i gropen i denna allvarliga allegori over manniskans situation satter de olyvkliga manniskorna som blint k langer sig fast vid sin nasta sin egen fralsning pa spel i stallet for att sjava arneta for uppna den.
  mk248 en detalj fran bruegels sista stora verk syftar pa ett citat ur matteus evangeliet om en blind leder en blinb faller bada i gropen i denna allvarliga allegori over manniskans situation satter de olyvkliga manniskorna som blint k langer sig fast vid sin nasta sin egen fralsning pa spel i stallet for att sjava arneta for uppna den.

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BRUEGEL, Pieter the Elder landscape with the fall of lcarus oil on canvas


landscape with the fall of lcarus
landscape with the fall of lcarus
Painting ID::  56689
  c.1558,oil on wood,29x44 in,74x112 cm,musees royaux des beaux-arts,brussels,belgium
  c.1558,oil on wood,29x44 in,74x112 cm,musees royaux des beaux-arts,brussels,belgium

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BRUEGEL, Pieter the Elder Dulle Griet (Mad Meg) oil on canvas


Dulle Griet (Mad Meg)
Dulle Griet (Mad Meg)
Painting ID::  92045
  Dulle Griet (Mad Meg) c. 1562 Oil on wood, 117,4 x 162 cm Museum Mayer van den Bergh, Antwerp Pieter Bruegel the Elder (1526/1530-1569)
  Dulle Griet (Mad Meg) c. 1562 Oil on wood, 117,4 x 162 cm Museum Mayer van den Bergh, Antwerp Pieter Bruegel the Elder (1526/1530-1569)

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BRUEGEL, Pieter the Elder The Triumph of Death oil on canvas


The Triumph of Death
The Triumph of Death
Painting ID::  94072
  c. 1562 Oil on panel, 117 x 162 cm Museo del Prado, Madrid
  c. 1562 Oil on panel, 117 x 162 cm Museo del Prado, Madrid

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     BRUEGEL, Pieter the Elder
     Flemish Northern Renaissance Painter, ca.1525-1569 (born c. 1525, probably Breda, duchy of Brabant ?? died Sept. 5/9, 1569, Brussels) Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived. His sons, Peter Brueghel the Younger and Jan, the Elder Brueghel (both of whom restored to the name the h their father had abandoned), and later imitators carried his style into the 18th century.

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