All BRONZINO, Agnolo Oil Paintings

Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
 
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BRONZINO, Agnolo Portrait of Lucrezia Panciatichi (detail) fd oil on canvas


Portrait of Lucrezia Panciatichi (detail) fd
Portrait of Lucrezia Panciatichi (detail) fd
Painting ID::  5410 		  c. 1540 Oil on wood Galleria degli Uffizi, Florence
  c. 1540 Oil on wood Galleria degli Uffizi, Florence

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BRONZINO, Agnolo Portrait of a Lady in Green oil on canvas


Portrait of a Lady in Green
Portrait of a Lady in Green
Painting ID::  5411 		  1530-32 Oil on panel, 76,7 x 65,4 cm Royal Collection, Windsor
  1530-32 Oil on panel, 76,7 x 65,4 cm Royal Collection, Windsor

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BRONZINO, Agnolo Portrait of a Lady dfg oil on canvas


Portrait of a Lady dfg
Portrait of a Lady dfg
Painting ID::  5412 		  c. 1550 Oil on wood, 109 x 85 cm Galleria Sabauda, Turin
  c. 1550 Oil on wood, 109 x 85 cm Galleria Sabauda, Turin

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BRONZINO, Agnolo Portrait of a Lady with a Puppy f oil on canvas


Portrait of a Lady with a Puppy f
Portrait of a Lady with a Puppy f
Painting ID::  5413 		  1532-36 Oil on wood, 89 x 70 cm Städelsches Kunstinstitut, Frankfurt
  1532-36 Oil on wood, 89 x 70 cm Städelsches Kunstinstitut, Frankfurt

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BRONZINO, Agnolo Portrait of a Lady with a Puppy (detail) fg oil on canvas


Portrait of a Lady with a Puppy (detail) fg
Portrait of a Lady with a Puppy (detail) fg
Painting ID::  5414 		  1532-36 Oil on wood Städelsches Kunstinstitut, Frankfurt
  1532-36 Oil on wood Städelsches Kunstinstitut, Frankfurt

Height    Width


  INS/CM       Quality

X

  
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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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