All BOTTICELLI, Sandro Oil Paintings

Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.
 

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BOTTICELLI, Sandro Portrait of Giuliano de- Medici oil on canvas


Portrait of Giuliano de- Medici
Portrait of Giuliano de- Medici
Painting ID::  44271
  c. 1475 Tempera on panel, 54 x 36 cm
  c. 1475 Tempera on panel, 54 x 36 cm

Height    Width


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BOTTICELLI, Sandro Madonna and Child and the Young St John the Baptist oil on canvas


Madonna and Child and the Young St John the Baptist
Madonna and Child and the Young St John the Baptist
Painting ID::  44272
  1490-95 Tempera on canvas, 134 x 92 cm
  1490-95 Tempera on canvas, 134 x 92 cm

Height    Width


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BOTTICELLI, Sandro Giuliano de- Medici oil on canvas


Giuliano de- Medici
Giuliano de- Medici
Painting ID::  44273
  1478 Panel 54 x 36 cm
  1478 Panel 54 x 36 cm

Height    Width


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BOTTICELLI, Sandro The Virgin and Child with Three Angels oil on canvas


The Virgin and Child with Three Angels
The Virgin and Child with Three Angels
Painting ID::  44274
  c. 1493 Tempera on panel, diameter 65 cm
  c. 1493 Tempera on panel, diameter 65 cm

Height    Width


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BOTTICELLI, Sandro Christ Crowned with Thorns oil on canvas


Christ Crowned with Thorns
Christ Crowned with Thorns
Painting ID::  44275
  c. 1500 Tempera on panel, 47,6 x 32,3 cm
  c. 1500 Tempera on panel, 47,6 x 32,3 cm

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     BOTTICELLI, Sandro
     Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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