All Albert Bierstadt Oil Paintings

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
 

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Albert Bierstadt The Arch of Octavius oil on canvas


The Arch of Octavius
The Arch of Octavius
Painting ID::  2517
  1858 28.50 x 37.48 in / 72.4 x 95.2 cm The Fine Arts Museums of San Francisco, California, USA
  1858 28.50 x 37.48 in / 72.4 x 95.2 cm The Fine Arts Museums of San Francisco, California, USA

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Albert Bierstadt The Trappers Camp oil on canvas


The Trappers Camp
The Trappers Camp
Painting ID::  2518
 
 

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Albert Bierstadt Sunlight and Shadow oil on canvas


Sunlight and Shadow
Sunlight and Shadow
Painting ID::  2519
  1862 41.50 x 35.51 inches / 105.4 x 90.2 cm The Fine Arts Museums of San Francisco, California, USA
  1862 41.50 x 35.51 inches / 105.4 x 90.2 cm The Fine Arts Museums of San Francisco, California, USA

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Albert Bierstadt Grizzly bears oil on canvas


Grizzly bears
Grizzly bears
Painting ID::  2520
  c1859 14.02 x 15.98 ins / 35.6 x 40.6 cm Layton Art Collection, Milwaukee Art Museum
  c1859 14.02 x 15.98 ins / 35.6 x 40.6 cm Layton Art Collection, Milwaukee Art Museum

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Albert Bierstadt White Mountains, New Hampshire oil on canvas


White Mountains, New Hampshire
White Mountains, New Hampshire
Painting ID::  2521
  1863 18.50 x 15.00 ins / 47 x 38.1 cm Private collection
  1863 18.50 x 15.00 ins / 47 x 38.1 cm Private collection

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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