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Rembrandt Lucretia oil painting reproduction


Lucretia
1666 Minneapolis Institute of Art
Rembrandt18.jpgPainting ID::  3386
 

 

 
   
      

All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn Lucretia oil painting reproduction


Lucretia
mk93 1666 Oil on canvas
new10/REMBRANDT Harmenszoon van Rijn-699923.jpgPainting ID::  34538
 

 

 
   
      

All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn Lucretia oil painting reproduction


Lucretia
mk93 1664 Oil on canvas 47 1/4x39 3/4in National Gallery of Art.Washington.D.C.
new10/REMBRANDT Harmenszoon van Rijn-973328.jpgPainting ID::  34539
 

 

 
   
      

All LOTTO, Lorenzo Oil Paintings


 
 
LOTTO, Lorenzo Lucretia oil painting reproduction


Lucretia
mk156 1530-32 Oil on canvas 96.5x110.6cm
new12/LOTTO, Lorenzo-952436.jpgPainting ID::  40345
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist Lucretia oil painting reproduction


Lucretia
ca. 1530(1530) Oil on panel cjr
new24/unknow artist-476973.jpgPainting ID::  77501
 

 

 
   
      

All Jan van Scorel Oil Paintings


 
 
Jan van Scorel Lucretia oil painting reproduction


Lucretia
1535(1535) Medium oil on oak cyf
new25/Jan van Scorel-644845.jpgPainting ID::  89666
 

 

 
   
      

Jan van Scorel
  
Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.
Lucretia
1535(1535) Medium oil on oak cyf

Related Paintings to Jan van Scorel :.
| Ivan Shishkin 40 | Edgar Hilaire Germain de Gas188 | Frederic Leighton (36) | Jean-Honore Fragonard - Interior Scene | PIERRE-AUGUSTE RENOIR-ETUDE DE FEMME ET ENFANTS | | The Egyptian Dancing Girls | Day seven of the battle with the Armada, 7 August 1588. | Don Andres del Peral | Garden | Adoration of the Magi |


        

 

 

 

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