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RAFFAELLO Sanzio Angel (fragment of the Baronci Altarpiece) dg oil painting reproduction

Angel (fragment of the Baronci Altarpiece) dg
1500-01 Oil on wood, 31 x 27 cm Pinacoteca Tosio Martinengo, Brescia
new1/RAFFAELLO Sanzio2.jpgPainting ID::  8706



Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
Angel (fragment of the Baronci Altarpiece) dg
1500-01 Oil on wood, 31 x 27 cm Pinacoteca Tosio Martinengo, Brescia

Related Paintings to RAFFAELLO Sanzio :.
| Peter Paul Rubens277 | Jan Lievensz. -- Portrait of a Young Man surrounded by Flowers | British (possibly Sir William Boxall) - Portrait of a Woman aged about 45 | Paul Gauguin56 | John Constable (38) | | The Dogano, San Giorgio, Citella, from the Steps of the Europa | Ceremony late 1890s | Knieened figure in Draperie | Ludovic Bassarab | Man with the Rosary |





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