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All Nicolas Poussin Oil Paintings

Nicolas Poussin Mars and Venus oil painting reproduction

Mars and Venus
1627-29 Museum of Fine Arts, Boston
Nicolas Poussin16.jpgPainting ID::  2155



All Francois Boucher Oil Paintings

Francois Boucher Mars and Venus oil painting reproduction

Mars and Venus
mk53 1754 oil on canvas 164x71cm
new2/Francois Boucher-885896.jpgPainting ID::  26669



All PALMA GIOVANE Oil Paintings

PALMA GIOVANE Mars and Venus oil painting reproduction

Mars and Venus
nn07 probably 1585-90
new4/PALMA GIOVANE-725695.jpgPainting ID::  31363



All Carlo Saraceni Oil Paintings

Carlo Saraceni Mars and Venus oil painting reproduction

Mars and Venus
1605(1605) until 1610(1610) Medium Oil on copper Dimensions 40 x 52 cm (15.7 x 20.5 in) cyf
new24/Carlo Saraceni-897434.jpgPainting ID::  83396



Carlo Saraceni
1580-1620 Italian Carlo Saraceni Galleries Carlo Saraceni (Venice 1579-Venice, 16 June 1620) was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968. Though he was born in Venice, his paintings are distinctly Roman in style; he moved to Rome in 1598, joining the Accademia di San Luca in 1607. He never visited France, though he spoke fluent French and had French followers and a French wardrobe. His painting, however, was influenced at first by the densely forested, luxuriantly enveloping landscape settings for human figures of Adam Elsheimer, a German painter resident in Rome; "there are few landscapes by Saraceni which have not been attributed to Elsheimer," Malcolm Waddingham observed, and Anna Ottani Cavina has suggested the influences may have travelled both ways. and Elsheimer's small cabinet paintings on copper offered a format that Saraceni employed in six landscape panels illustrating The Flight of Icarus; in Moses and the Daughters of Jethro and Mars and Venus. Saint Sebastian Castle Museum, PragueWhen Caravaggio's notorious Death of the Virgin was rejected in 1606 as an altarpiece suitable for a chapel of Santa Maria della Scala, it was Saraceni who provided the acceptable substitute, which remains in situ, the only securely dated painting of his first decade in Rome. He was influenced by Caravaggio's dramatic lighting, monumental figures, naturalistic detail, and momentary action (illustration, right), so that he is numbered among the first of the "tenebrists" or "Caravaggisti". Examples of this style can be seen in the candlelit Judith and the Head of Holofernes. Saraceni's matured rapidly between 1606 and 1610, and the next decade gave way to his fully mature works, synthesizing Caravaggio and the Venetians. In 1616?C17 he collaborated on the frescoes for the Sala Regia of the Palazzo del Quirinale. In 1618 he received payment for two paintings in the church of Santa Maria dell'Anima. The compositional details of his fresco of The Birth of the Virgin in the Chapel of the Annunciation of the church of Santa Maria in Aquiro are repeated in a panel on copper at the Louvre In 1620 he returned to Venice, where he died in the same year. He was so influential on the style of an anonymous still life painter working in Rome, that the man is known as "Pensionante del Saraceni"
Mars and Venus
1605(1605) until 1610(1610) Medium Oil on copper Dimensions 40 x 52 cm (15.7 x 20.5 in) cyf

Related Paintings to Carlo Saraceni :.
| Ribalta, Francisco-El alma bienaventurada-58 cm x 46 cm | Schmidt, Willem Hendrik -- Zelfportret, 1840 - 1849 | Rosselli, Cosimo -- De aanbidding van het kind, 1490-1500 | Claude - Seaport with the Embarkation of Saint Ursula | GIOVANNI PAOLO PANINI-CAPRICCIO OF CLASSICAL RUINS | | The Sacred Family with the young one San Juan the Baptist one | The Battle of Issus | Maslenitsa Tuesday | Portrait of okand young ladies | Merry Company in an inn |





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