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All Lochner, Stephan Oil Paintings

German Northern Renaissance Painter, ca.1400-1451
 
 
Lochner, Stephan Presentation in the Temple oil painting reproduction


Presentation in the Temple
1447, Mixed technique on wood, Hessisches Landesmuseum, Darmstadt.
new5/Lochner, Stephan_CyFM9k.jpgPainting ID::  19199
 

 

 
   
      

All Gentile Bellini Oil Paintings


 
 
Gentile Bellini Presentation in the Temple oil painting reproduction


Presentation in the Temple
mk157 c.1460 Wood 82x106cm
new16/Gentile Bellini-335252.jpgPainting ID::  41219
 

 

 
   
      

All GIOTTO di Bondone Oil Paintings


 
 
GIOTTO di Bondone Presentation in the Temple oil painting reproduction


Presentation in the Temple
1320-25 Tempera on wood, 44 x 43
new16/GIOTTO di Bondone-687458.jpgPainting ID::  44325
 

 

 
   
      

All Gerbrand van den Eeckhout Oil Paintings


 
 
Gerbrand van den Eeckhout Presentation in the Temple oil painting reproduction


Presentation in the Temple
Date 1671(1671) Medium Oil on wood Dimensions Height: 59 cm (23.2 in). Width: 48.5 cm (19.1 in). cjr
new25/Gerbrand van den Eeckhout-484359.jpgPainting ID::  84517
 

 

 
   
      

All Gerbrand van den Eeckhout Oil Paintings


 
 
Gerbrand van den Eeckhout Presentation in the Temple oil painting reproduction


Presentation in the Temple
1671(1671) Medium Oil on wood cyf
new25/Gerbrand van den Eeckhout-397498.jpgPainting ID::  88368
 

 

 
   
      

All Sebastien Bourdon Oil Paintings


 
 
Sebastien Bourdon Presentation in the Temple oil painting reproduction


Presentation in the Temple
circa 1644(1644) Medium oil on canvas cyf
new26/Sebastien Bourdon-563377.jpgPainting ID::  96038
 

 

 
   
      

Sebastien Bourdon
  
(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.
Presentation in the Temple
circa 1644(1644) Medium oil on canvas cyf

Related Paintings to Sebastien Bourdon :.
| Frederick Childe Hassam13-10 | Peter Paul Rubens, Flemish (active Italy, Antwerp, and England), 1577-1640 -- The Emblem of Christ Appearing to Constantine | Edouard Manet07 | Ralph Albert Blakelock--A Waterfall, Moonlight | Quellinus, Jan Erasmus-La persecucion de las Harpias (las Harpias perseguidas | | Burgermeister von Aschaffenburg. | Sunday Afternoon on the Island of La Grande Jatte | Walloon Buluo Sa altar portraits | Kriget | The Honourable mas graham mars Graham was one of the many society beauties Gainsborough painted in order to make a living |


        

 

 

 

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