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John Martin The Stables Viewed from the Chateau at Versailles oil painting reproduction


The Stables Viewed from the Chateau at Versailles
between 1688(1688) and 1690(1690) Medium oil on canvas cyf
new26/John Martin-359869.jpgPainting ID::  96090
 

 

 
   
      

John Martin
  
British 1789-1854 John Martin Gallery His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now in the St. Louis Art Museum), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua Commanding the Sun to Stand Still upon Gibeon (1816). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects. The Plains of Heaven is thought to reflect his memories of the Allendale of his youth. Martin's large paintings were inspired by "contemporary dioramas or panoramas, popular entertainments in which large painted cloths were displayed, and animated by the skilful use of artificial light. Martin has often been claimed as a forerunner of the epic cinema, and there is no doubt that the pioneer director D. W. Griffith was aware of his work." In turn, the diorama makers borrowed Martin's work, to the point of plagiarism. A 2000-square-foot version of Belshazzar's Feast was mounted at a facility called the British Diorama in 1833; Martin tried, but failed, to shut down the display with a court order. Another diorama of the same picture was staged in New York City in 1835. These dioramas were tremendous successes with their audiences, but wounded Martin's reputation in the serious art world.
The Stables Viewed from the Chateau at Versailles
between 1688(1688) and 1690(1690) Medium oil on canvas cyf

Related Paintings to John Martin :.
| Claude-Joseph Vernet -- Construction of a Grand Chemin | Francken, Frans II-Noe dirige la entrada de los animales en el arca-68 cm x 86 cm | Rembrandt Harmenszoon van Rijn014 (2) | Ludolf Bakhuizen - A Beach Scene with Fishermen | Domenico Veneziano - Head of a Tonsured, Beardless Saint | | In The Hall Of The Law College | Woman lying on the sofa | St Jerome in Rocky Landscape | Madonna and Child with St John the Baptist and St Mary Magdalene | Binneshaven |


        

 

 

 

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