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All John Constable Oil Paintings


 
 
John Constable The hay wain oil painting reproduction


The hay wain
mk82 1821 oil on canvas 130.2x185.4cm National Gallery, London
new9/John Constable-593464.jpgPainting ID::  32999
 

 

 
   
      

All John Constable Oil Paintings


 
 
John Constable The Hay Wain oil painting reproduction


The Hay Wain
mk87 1821 Oil on canvas 130.5x185.5cm London,Nationa Gallery
new9/John Constable-567836.jpgPainting ID::  33922
 

 

 
   
      

All John Constable Oil Paintings


 
 
John Constable The Hay Wain oil painting reproduction


The Hay Wain
mk235 1821 Oil on canvas 130.2x185.4cm
new19/John Constable-448623.jpgPainting ID::  54520
 

 

 
   
      

All John Constable Oil Paintings


 
 
John Constable the hay wain oil painting reproduction


the hay wain
mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk
new20/John Constable-634356.jpgPainting ID::  56190
 

 

 
   
      

John Constable
  
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
the hay wain
mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk

Related Paintings to John Constable :.
| Edouard Vuillard--At Table | Gustav Klimt015 | Jan Steen - A Pedlar selling Spectacles outside a Cottage | Sir Alexander Dickson by William Salter | Juanes, Juan de-La Ultima Cena-116 cm x 191 cm | | On the Bank of the Seine, Bennecourt, 1868 | Florentine Bible dfw | Repose | Red Roofs | St Barbara |


        

 

 

 

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