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John Constable Flatford Lock 19April 1823 oil painting reproduction


Flatford Lock 19April 1823
mk82 pencil and grey wash,on two adjoining sheets from a sketchbook 17.2x31.7cm
new9/John Constable-495943.jpgPainting ID::  33150
 

 

 
   
      

John Constable
  
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy
Flatford Lock 19April 1823
mk82 pencil and grey wash,on two adjoining sheets from a sketchbook 17.2x31.7cm

Related Paintings to John Constable :.
| Rembrandt Harmenszoon van Rijn041 | Edouard Manet - Stephane Mallarme | aelbert cuyp066 | Dyck, Antonio van-El conde Enrique de Bergh-114 cm x 100 cm | Anonieme Meester - A protestant Family during dinner | | Portrait of Eleonora Tommasi (nn02) | Portrait of Arthur J Eddy | Nikolay Makovsky Street Mouizz-Dinn In Cairo | The Marriage at Cana | Une Loge aux Italiens |


        

 

 

 

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