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All JanVermeer Oil Paintings


 
 
JanVermeer View of Delft oil painting reproduction


View of Delft
1660-1661 38 x 45 9/16 in (96.5 x 115.7 cm) Mauritshuis, The Hague
JanVermeer5.jpgPainting ID::  782
 

 

 
   
      

All Jan Vermeer Oil Paintings


 
 
Jan Vermeer View of Delft oil painting reproduction


View of Delft
1659 Oil on canvas, 98,5 x 117,5 cm Mauritshuis, The Hague
Jan Vermeer12.jpgPainting ID::  10271
 

 

 
   
      

All Jan Vermeer Oil Paintings


 
 
Jan Vermeer View of Delft oil painting reproduction


View of Delft
mk86 c.1658-1660 Oil on canvas 98.5x117.5cm The Hague,Mauritshuis
new9/Jan Vermeer-272853.jpgPainting ID::  33740
 

 

 
   
      

All HEYDEN, Jan van der Oil Paintings


 
 
HEYDEN, Jan van der View of Delft oil painting reproduction


View of Delft
1651-1700 Oil on wood 55 x 71 cm Institute of Arts,
new16/HEYDEN, Jan van der-648574.jpgPainting ID::  43532
 

 

 
   
      

All Jan van der Heyden Oil Paintings


 
 
Jan van der Heyden View of Delft oil painting reproduction


View of Delft
Date second half of 17th century Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 71 cm (28 in). cjr
new25/Jan van der Heyden-797558.jpgPainting ID::  86610
 

 

 
   
      

Jan van der Heyden
  
1637-1712 Dutch Jan Van Der Heyden Gallery Van der Heyden grew up in Gorcum, but the family moved to Amsterdam around 1650. They lived on Dam Square. As a young guy he witnessed the fire in the old townhall which made a deep impression on him. He later would describe or draw 80 fires in almost any neighborhood of Amsterdam. When he married in 1661 the family was living on Herengracht, the most fashionable canal in Amsterdam. In 1668 Cosimo II de' Medici bought one of his paintings, a view of the townhall with a manipulated perspective. Van der Heyden often painted country estates, like Goudestein, owned by Joan Huydecoper II. He was not good in drawing figures and used for his paintings a metal plate for bricks, a sponge or moss for the leaves. Johannes Lingelbach, Adriaen van de Velde und Eglon van der Neer assisted him drawing the figures. Jan van der Heyden also introduced the lamp post and in 1672 impoved the design of the fire engine. He died in wealth as the superintendent of the lighting and director of the (voluntary) firemen's guild at Amsterdam. Van der Heyden was a contemporary of the landscape painters Hobbema and Jacob van Ruisdael, with the advantage, which they lacked, of a certain professional versatility; for, whilst they painted admirable pictures and starved, he varied the practice of art with the study of mechanics. Until 1672 he painted in partnership with Adriaen van de Velde. After Adrian's death, and probably because of the loss which that event entailed upon him, he accepted the offices to which allusion has just been made. At no period of artistic activity had the system of division of labour been more fully or more constantly applied to art than it was in Holland towards the close of the 17th century. Van der Heyden, who was perfect as an architectural draughtsman insofar as he painted the outside of buildings and thoroughly mastered linear perspective, seldom turned his hand to the delineation of anything but brick houses and churches in streets and squares, or rows along canals, or "moated granges," common in his native country. He was a travelled man, had seen The Hague, Ghent and Brussels, and had ascended the Rhine past Xanten to Cologne, where he copied over and over again the tower and crane of the great cathedral. But he cared nothing for hill or vale, or stream or wood. He could reproduce the rows of bricks in a square of Dutch houses sparkling in the sun, or stunted trees and lines of dwellings varied by steeples, all in light or thrown into passing shadow by moving cloud. He had the art of painting microscopically without loss of breadth or keeping. But he could draw neither man nor beast, nor ships nor carts; and this was his disadvantage. His good genius under these circumstances was Adrian van der Velde, who enlivened his compositions with spirited figures; and the joint labour of both is a delicate, minute, transparent work, radiant with glow and atmosphere.
View of Delft
Date second half of 17th century Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 71 cm (28 in). cjr

Related Paintings to Jan van der Heyden :.
| Antonello da Messina - Saint Jerome in his Study | Caullery, Louis de -- Feestvierend gezelschap bij avond, 1600-1620 | Edouard Manet078 | Canaletto--Venice Santa Maria della Salute | Anonieme Meester - Madonna with Petrus Wijts 3 | | Portrat des Kardinal Albrecht von Brandenburg als Hl. Hieronymus im Grunen | Self-Portrait at the age of 78 (mk04) | Mechanism element | Unknow work 80 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 108 |


        

 

 

 

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