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All James Abbott McNeil Whistler Oil Paintings

1834-1903 James Abbott McNeill Whistler Art Locations
 
 
James Abbott McNeil Whistler Wapping oil painting reproduction


Wapping
1861-64 28 1/2" x 40 1/4" National Gallery of Art, Washington DC
James Abbott McNeil Whistler4.jpgPainting ID::  4582
 

 

 
   
      

All James Abbott McNeil Whistler Oil Paintings

1834-1903 James Abbott McNeill Whistler Art Locations
 
 
James Abbott McNeil Whistler Wapping oil painting reproduction


Wapping
1860-4 Oil on canvas 71.1 x 101.6 cm (28 3/8 x 40 1/8 in) National Gallery of Art Washington DC (mk63)
new3/James Abbott McNeil Whistler-593834.jpgPainting ID::  28433
 

 

 
   
      

All James Mcneill Whistler Oil Paintings


 
 
James Mcneill Whistler Wapping oil painting reproduction


Wapping
Date 1861(1861) Medium Oil on canvas Dimensions Deutsch: 71,1 x 101,6 cm cjr
new25/James Mcneill Whistler-789539.jpgPainting ID::  86623
 

 

 
   
      

All James Mcneill Whistler Oil Paintings


 
 
James Mcneill Whistler Wapping oil painting reproduction


Wapping
1861(1861) Medium oil on canvas Dimensions Deutsch: 71,1 x 101,6 cm cyf
new25/James Mcneill Whistler-446755.jpgPainting ID::  90538
 

 

 
   
      

James Mcneill Whistler
  
American Painter and Printmaker, 1834-1903 James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
Wapping
1861(1861) Medium oil on canvas Dimensions Deutsch: 71,1 x 101,6 cm cyf

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| Charles Howard, 1st Earl of Nottingham from NPG | Sir Horatio George Powys Townshend by William Salter | Edouard Manet02 | Edouard Manet021 | Jan van Huysum - Arcadian Landscape with Saints Peter and John Healing the Lame Man | | Arab or Arabic people and life. Orientalism oil paintings 333 | Detail of Bather | Virgin and the Son | Feast in the Grape Pergola or Feast of Three Noblemen | jenny lind |


        

 

 

 

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