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All Memmo di Filippuccio Oil Paintings

1433 - 1494
Memmo di Filippuccio Recreation by our Gallery 02 oil painting reproduction

Recreation by our Gallery 02
mk79 About 1318
new9/Memmo di Filippuccio-348867.jpgPainting ID::  32518



All Bonifacio Bembo Oil Paintings

Italian Early Renaissance Painter, active 1444-1477
Bonifacio Bembo Recreation by our Gallery 02 oil painting reproduction

Recreation by our Gallery 02
mk79 1450-1455
new9/Bonifacio Bembo-685759.jpgPainting ID::  32521



All MANTEGNA, Andrea Oil Paintings

MANTEGNA, Andrea Recreation by our Gallery 02 oil painting reproduction

Recreation by our Gallery 02
mk79 1497
new9/MANTEGNA, Andrea-722472.jpgPainting ID::  32523



All Giambattista Tiepolo Oil Paintings

Giambattista Tiepolo Recreation by our Gallery 02 oil painting reproduction

Recreation by our Gallery 02
mk79 About 1746
new9/Giambattista Tiepolo-487852.jpgPainting ID::  32586



Giambattista Tiepolo
1696-1770 Italian painter, master of Venetian school. Tiepolo was famous in his own lifetime as a superb painter in fresco and a brilliant draftsman. A highly inventive artist, he could create spectacular effects in difficult sites, from the narrow gallery at the patriarchal palace at Udine in the mid-1720s to the vast staircase ceiling in the Residenz at Werzburg in the early 1750s. Contemporaries recognized his spirited, dynamic approach to subject matter and his frankly sensuous manner of painting. Tiepolo is comparable in his restless energy and imaginative power to Peter Paul Rubens, and essentially he worked with a similar baroque language of myth, allegory, and history, which he infused with a sense of freshness and modernity. His approach to religious art is characterized by candor and naturalism, while he was responsive to the different concerns of patrons and viewers at a time when the church was faced with new kinds of devotion and criticism. With the advent of neoclassicism, Tiepolo's art fell from favor: In an age that prized archaeological correctness, rationality, and ideals of improvement, his witty, Veronese-inspired conception of historical or classical subjects seemed frivolous, while his visually seductive qualities were seen as inimical to the serious intellectual aims of the new art. Nevertheless, his drawings and oil sketches continued to appeal to collectors, including Antonio Canova. The son of a Venetian shipping merchant, Tiepolo was apprenticed in 1710 to Gregorio Lazzarini (1655C1730), an artist of international reputation patronized by prominent Venetian families. Before becoming an independent master, he worked in the household of Doge Giovanni Corner; members of the Corner family were to be his most steadfast and liberal patrons. Lazzarini encouraged his pupils to study Venetian sixteenth-century art, and Tiepolo made drawings of some famous works for publication in Domenico Lovisa's Gran Teatro di Venezia of 1717. His early involvement with the thriving Venetian engraving and publishing world was renewed in 1724 when he made drawings of antique sculpture as illustrations for Scipione Maffei's Verona Illustrata, an experience that gave Tiepolo an imaginative empathy with fragmentary antique remains, which recur in his drawings, etchings, and paintings. As well as studying the art of the past, Tiepolo looked to the tenebrism of Federico Bencovich (1677C1753) and the realism and monumentality of Giovanni Battista Piazzetta (1682C1754). In 1719 Tiepolo married Cecilia Guardi, with whom he was to have nine children. By then, the artist was working for a network of mercantile and noble patrons on religious and secular subjects.
Recreation by our Gallery 02
mk79 About 1746

Related Paintings to Giambattista Tiepolo :.
| Claude Monet 026 | Master of the Isarda Bhagavata Purana--The Gopis Plead with Krishna to Return Their Clothing Folio | Henri Fantin-Latour (1836-1904)-The Embroiderers (Les Brodeuses) | Rubens, Pedro Pablo-Atalanta y Meleagro cazando el jabali de Calidonia | Louis Galloche - Saint Martin Sharing his Coat with a Beggar | | self-Portrait (mk02) | Still Life with Attributes of the Arts | Apparition at Arles | Valdemar Atterdag holding Visby to ransom | Household surveys of Bethlehem |





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