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All Georges Seurat Oil Paintings
 
 
Georges Seurat The Circus oil painting reproduction


The Circus
1890-91 Musee d'Orsay, Paris
Georges Seurat4.jpgPainting ID::  3850
 

 
 
   
      

All Georges Seurat Oil Paintings
 
 
Georges Seurat The Circus oil painting reproduction


The Circus
1891(Salon des Independants,1891) 6' 1'' x 5'(185.5 x 152.5 cm)Bequest of John Quinn,1924
Georges Seurat22.jpgPainting ID::  11571
 

 
 
   
      

All Georges Seurat Oil Paintings
 
 
Georges Seurat The Circus oil painting reproduction


The Circus
mk68 Oil on canvas Paris,Orsay Museum 1890-1891 France
new4/Georges Seurat-572925.jpgPainting ID::  30859
 

 
 
   
      

All George Bellows Oil Paintings
 
 
George Bellows The Circus oil painting reproduction


The Circus
mk146 1912
new12/George Bellows-565786.jpgPainting ID::  39305
 

 
 
   
      

All Georges Seurat Oil Paintings
 
 
Georges Seurat The Circus oil painting reproduction


The Circus
mk156 1891 Oil on canvas 185.5x152.5cm
new16/Georges Seurat-493686.jpgPainting ID::  40816
 

 
 
   
      

All Georges Seurat Oil Paintings
 
 
Georges Seurat The circus oil painting reproduction


The circus
mk178 1891 oils on linen 185.5x152.2cm
new17/Georges Seurat-468456.jpgPainting ID::  45931
 

 
 
   
      

All Georges Seurat Oil Paintings
 
 
Georges Seurat The Circus oil painting reproduction


The Circus
mk235 1891 Oil on canvas 185.5x152.5cm
new19/Georges Seurat-639722.jpgPainting ID::  54196
 

 
 
   
      
Georges Seurat
  
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
The Circus
mk235 1891 Oil on canvas 185.5x152.5cm

Related Paintings to Georges Seurat :.
| Still-life 315648 | Century Stained Glass | Houses Along the Coast | Le Kearsargee a Boulogne (mk40) | Rain of Ash from Vesuvius |

        

 

 

 
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