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All Maurice Denis Oil Paintings


 
 
Maurice Denis Mother and Child oil painting reproduction


Mother and Child
1890's The Hermitage, St.Petersburg
Maurice Denis4.jpgPainting ID::  964
 

 

 
   
      

All Mihaly Munkacsy Oil Paintings


 
 
Mihaly Munkacsy Mother and Child oil painting reproduction


Mother and Child
1880 Hungarian National Gallery, Budapest
Mihaly Munkacsy4.jpgPainting ID::  2779
 

 

 
   
      

All Page, Marie Danforth Oil Paintings

American, 1869-1940
 
 
Page, Marie Danforth Mother and Child oil painting reproduction


Mother and Child
1930 Oil on canvas.
new5/Page, Marie Danforth-825968.jpgPainting ID::  19736
 

 

 
   
      

All Maurice Denis Oil Paintings


 
 
Maurice Denis Mother and Child oil painting reproduction


Mother and Child
1890s Oil on canvas 18x15"
new3/Maurice Denis-496493.jpgPainting ID::  29278
 

 

 
   
      

All Pierre Renoir Oil Paintings


 
 
Pierre Renoir Mother and Child oil painting reproduction


Mother and Child
mk64 1881 Oil on canvas 121x85.4cm Merion,Pennsylvania
new3/Pierre Renoir-828829.jpgPainting ID::  30166
 

 

 
   
      

All George de Forest Brush Oil Paintings


 
 
George de Forest Brush Mother and child oil painting reproduction


Mother and child
mk77 1892 Oil on canvas 45 1/4x35 3/8in
new4/George de Forest Brush-877347.jpgPainting ID::  31902
 

 

 
   
      

All George Stubbs Oil Paintings


 
 
George Stubbs Mother and Child oil painting reproduction


Mother and Child
sn02 1772 30.5x30.5
new11/George Stubbs-622834.jpgPainting ID::  37779
 

 

 
   
      

All E.Phillips Fox Oil Paintings


 
 
E.Phillips Fox Mother and child oil painting reproduction


Mother and child
mk167 1908 Oil
new16/E.Phillips Fox-848275.jpgPainting ID::  42178
 

 

 
   
      

All Egon Schiele Oil Paintings


 
 
Egon Schiele Mother and Child oil painting reproduction


Mother and Child
mk189 1914
new17/Egon Schiele-357892.jpgPainting ID::  47977
 

 

 
   
      

All Jean Francois Millet Oil Paintings


 
 
Jean Francois Millet Mother and child oil painting reproduction


Mother and child
mk245 1855-1857 29x20.5cm Oil on canvas
new20/Jean Francois Millet-259288.jpgPainting ID::  55825
 

 

 
   
      

All Brocky, Karoly Oil Paintings

1807-1855
 
 
Brocky, Karoly Mother and Child oil painting reproduction


Mother and Child
1846-50 Oil on canvas, 62 x 54,8 cm Hungarian National Gallery, Budapest Like many others painted in this period, this painting reflects the influences of the artist's journey to Italy
new21/Brocky, Karoly-648794.jpgPainting ID::  62446
 

 

 
   
      

All Louis Lcart Oil Paintings


 
 
Louis Lcart Mother and Child oil painting reproduction


Mother and Child
mk286 40.6 x 50.8 cm 1929 Nian
new21/Louis ikatskiy-596636.jpgPainting ID::  63300
 

 

 
   
      

All Jules Pascin Oil Paintings


 
 
Jules Pascin Mother and child oil painting reproduction


Mother and child
Jules Pascin: Mother and child Oil on canvas, 73 ?? 50 cm Gallery: Art Gallery of New South Wales
new22/Jules Pascin-464648.jpgPainting ID::  66589
 

 

 
   
      

All Jules Pascin Oil Paintings


 
 
Jules Pascin Mother and child oil painting reproduction


Mother and child
Mother and child Oil on canvas, 73 X 50 cm cjr
new24/Jules Pascin-747464.jpgPainting ID::  73097
 

 

 
   
      

All James Jebusa Shannon Oil Paintings


 
 
James Jebusa Shannon Mother and Child oil painting reproduction


Mother and Child
Mother and Child (Lady Shannon and Kitty) um 1900-1910 cjr
new24/James Jebusa Shannon-395545.jpgPainting ID::  73959
 

 

 
   
      

All Paul Peel Oil Paintings


 
 
Paul Peel Mother and Child oil painting reproduction


Mother and Child
English: Mother and Child, Oil on canvas, 61 X 69.2 cm cyf
new24/Paul Peel-739656.jpgPainting ID::  74432
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist Mother and Child oil painting reproduction


Mother and Child
Mother and Child, painting, oil on canvas, 60 x 44.5 cm, by Peter Purves Smith Date 1939(1939) cjr
new24/unknow artist-477664.jpgPainting ID::  79298
 

 

 
   
      

All Mary Cassatt Oil Paintings


 
 
Mary Cassatt Mother and Child oil painting reproduction


Mother and Child
Date 1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cjr
new24/Mary Cassatt-763685.jpgPainting ID::  81054
 

 

 
   
      

All Peter Purves Smith Oil Paintings


 
 
Peter Purves Smith Mother and Child oil painting reproduction


Mother and Child
, oil on canvas, 60 x 44.5 cm, by Peter Purves Smith Date 1939(1939) cyf
new24/Peter Purves Smith-656863.jpgPainting ID::  82317
 

 

 
   
      

All Mary Cassatt Oil Paintings


 
 
Mary Cassatt Mother and Child oil painting reproduction


Mother and Child
1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cyf
new25/Mary Cassatt-958686.jpgPainting ID::  85085
 

 

 
   
      

Mary Cassatt
  
1844-1926 Mary Cassatt Galleries Within months of her return to Europe in the autumn of 1871, Cassatt??s prospects had brightened. Her painting Two Women Throwing Flowers During Carnival was well received in the Salon of 1872, and was purchased. She attracted much favorable notice in Parma and was supported and encouraged by the art community there: ??All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her??. After completing her commission for the archbishop, Cassatt traveled to Madrid and Seville, where she painted a group of paintings of Spanish subjects, including Spanish Dancer Wearing a Lace Mantilla (1873, in the National Museum of American Art, Smithsonian Institution). In 1874, she made the decision to take up residence in France. She was joined by her sister Lydia who shared an apartment with her. Cassatt continued to express criticism of the politics of the Salon and the conventional taste that prevailed there. She was blunt in her comments, as reported by Sartain, who wrote: ??she is entirely too slashing, snubs all modern art, disdains the Salon pictures of Cabanel, Bonnat, all the names we are used to revere??. Cassatt saw that works by female artists were often dismissed with contempt unless the artist had a friend or protector on the jury, and she would not flirt with jurors to curry favor. Her cynicism grew when one of the two pictures she submitted in 1875 was refused by the jury, only to be accepted the following year after she darkened the background. She had quarrels with Sartain, who thought Cassatt too outspoken and self-centered, and eventually they parted. Out of her distress and self-criticism, Cassatt decided that she needed to move away from genre paintings and onto more fashionable subjects, in order to attract portrait commissions from American socialites abroad, but that attempt bore little fruit at first. In 1877, both her entries were rejected, and for the first time in seven years she had no works in the Salon. At this low point in her career she was invited by Edgar Degas to show her works with the Impressionists, a group that had begun their own series of independent exhibitions in 1874 with much attendant notoriety. The Impressionists (also known as the ??Independents?? or ??Intransigents??) had no formal manifesto and varied considerably in subject matter and technique. They tended to prefer open air painting and the application of vibrant color in separate strokes with little pre-mixing, which allows the eye to merge the results in an ??impressionistic?? manner. The Impressionists had been receiving the wrath of the critics for several years. Henry Bacon, a friend of the Cassatts, thought that the Impressionists were so radical that they were ??afflicted with some hitherto unknown disease of the eye??. They already had one female member, artist Berthe Morisot, who became Cassatt??s friend and colleague. Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvasCassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." She accepted Degas' invitation with enthusiasm, and began preparing paintings for the next Impressionist show, planned for 1878, which (after a postponement because of the World??s Fair) took place on April 10, 1879. She felt comfortable with the Impressionists and joined their cause enthusiastically, declaring: ??we are carrying on a despairing fight & need all our forces??. Unable to attend cafes with them without attracting unfavorable attention, she met with them privately and at exhibitions. She now hoped for commercial success selling paintings to the sophisticated Parisians who preferred the avant-garde. Her style had gained a new spontaneity during the intervening two years. Previously a studio-bound artist, she had adopted the practice of carrying a sketchbook with her while out-of-doors or at the theater, and recording the scenes she saw. Summertime, c. 1894, oil on canvasIn 1877, Cassatt was joined in Paris by her father and mother, who returned with her sister Lydia. Mary valued their companionship, as neither she nor Lydia had married. Mary had decided early in life that marriage would be incompatible with her career. Lydia, who was frequently painted by her sister, suffered from recurrent bouts of illness, and her death in 1882 left Cassatt temporarily unable to work. Cassatt??s father insisted that her studio and supplies be covered by her sales, which were still meager. Afraid of having to paint ??potboilers?? to make ends meet, Cassatt applied herself to produce some quality paintings for the next Impressionist exhibition. Three of her most accomplished works from 1878 were Portrait of the Artist (self-portrait), Little Girl in a Blue Armchair, and Reading Le Figaro (portrait of her mother). Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence. The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and C??zanne, who were attempting once again to gain recognition at the Salon. Through the efforts of Gustave Caillebotte, who organized and underwrote the show, the group made a profit and sold many works, although the criticism continued as harsh as ever. The Revue des Deux Mondes wrote, ??M. Degas and Mlle. Cassatt are, nevertheless, the only artists who distinguish themselves??and who offer some attraction and some excuse in the pretentious show of window dressing and infantile daubing??. Cassatt displayed eleven works, including La Loge. Although critics claimed that Cassatt??s colors were too bright and that her portraits were too accurate to be flattering to the subjects, her work was not savaged as was Monet's, whose circumstances were the most desperate of all the Impressionists at that time. She used her share of the profits to purchase a work by Degas and one by Monet. She exhibited in the Impressionist Exhibitions that followed in 1880 and 1881, and she remained an active member of the Impressionist circle until 1886. In 1886, Cassatt provided two paintings for the first Impressionist exhibition in the United States, organized by art dealer Paul Durand-Ruel. Her friend Louisine Elder married Harry Havemeyer in 1883, and with Cassatt as advisor, the couple began collecting the Impressionists on a grand scale. Much of their vast collection is now in the Metropolitan Museum of Art in New York City. She also made several portraits of family members during that period, of which Portrait of Alexander Cassatt and His Son Robert Kelso (1885) is one of her best regarded. Cassatt??s style then evolved, and she moved away from Impressionism to a simpler, more straightforward approach. She began to exhibit her works in New York galleries as well. After 1886, Cassatt no longer identified herself with any art movement and experimented with a variety of techniques.
Mother and Child
1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cyf

Related Paintings to Mary Cassatt :.
| Baur, Nicolaas -- Krijgsraad aan boord van de Queen Charlotte van Lord Exmouth voor het bombardement op Algiers, 26 augustus 1816 | Petrus Christus -- The Deposition of Christ | John Constable13 | Anonieme Meester - Annunciation and Visitation | Unknown man, formerly known as Francis Wheatley from NPG | | Alegorea sobre la vendimia | The Sibyl | Portrait of Aletta Pancras (1649-1707). | The Flagellation of Christ kjlkljk | Meadow at Bezons |


        

 

 

 

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