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JORDAENS, Jacob The Satyr and the Peasant oil painting reproduction


The Satyr and the Peasant
1620s Oil on canvas
new4/JORDAENS, Jacob-746475.jpgPainting ID::  32368
 

 

 
   
      

All Jacob Jordaens Oil Paintings


 
 
Jacob Jordaens The Satyr and the Peasant oil painting reproduction


The Satyr and the Peasant
The Satyr and the Peasant"
new21/Jacob Jordaens-584668.jpgPainting ID::  59444
 

 

 
   
      

All Jacob Jordaens Oil Paintings


 
 
Jacob Jordaens The Satyr and the Peasant oil painting reproduction


The Satyr and the Peasant
Oil on canvas 188,5 ?? 168 cm 1620
new22/Jacob Jordaens-758853.jpgPainting ID::  66510
 

 

 
   
      

All Jacob Jordaens Oil Paintings


 
 
Jacob Jordaens The Satyr and the Peasant oil painting reproduction


The Satyr and the Peasant
1620(1620) Oil on canvas 188,5 x 168 cm
new23/Jacob Jordaens-537539.jpgPainting ID::  71783
 

 

 
   
      

All Gaspare Diziani Oil Paintings


 
 
Gaspare Diziani The Satyr and the Peasant oil painting reproduction


The Satyr and the Peasant
First half of the 18th Century
new26/Gaspare Diziani-553833.jpgPainting ID::  98438
 

 

 
   
      

Gaspare Diziani
  
(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).
The Satyr and the Peasant
First half of the 18th Century

Related Paintings to Gaspare Diziani :.
| Paul Cezanne053 | Domenico Fetti--Salvator Mundi | Eugenio Landesio -- View of a Valley | Cavalier d Arpino (1568-1640) -- Diana and Actaeon | Tintoretto, Jacopo -- Muze met luit, 1528-1594 | | Portrait of Thomas Paine | Vast of Irises | Self-Portrait | The Artist's Room in Arles | Ancestors of Christ: figures |


        

 

 

 

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