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All GHIRLANDAIO, Domenico Oil Paintings


 
 
GHIRLANDAIO, Domenico Detail of Baptism of Christ oil painting reproduction


Detail of Baptism of Christ
Ghirlandaio made slight changes to Christ-s standing position and replaced the angels on the right with a kneeling male nude, who is already taking off his shoes in preparation for the baptismal ceremony.
new16/GHIRLANDAIO, Domenico-355596.jpgPainting ID::  43525
 

 

 
   
      

All Piero della Francesca Oil Paintings


 
 
Piero della Francesca Detail of Baptism of Christ oil painting reproduction


Detail of Baptism of Christ
mk191 oil on the board
new18/Piero della Francesca-483346.jpgPainting ID::  48633
 

 

 
   
      

All Piero della Francesca Oil Paintings


 
 
Piero della Francesca Detail of Baptism of Christ oil painting reproduction


Detail of Baptism of Christ
mk191 oil on board
new18/Piero della Francesca-526647.jpgPainting ID::  48634
 

 

 
   
      

All Piero della Francesca Oil Paintings


 
 
Piero della Francesca Detail of Baptism of Christ oil painting reproduction


Detail of Baptism of Christ
mk191 oil on board
new18/Piero della Francesca-948497.jpgPainting ID::  48635
 

 

 
   
      

Piero della Francesca
  
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
Detail of Baptism of Christ
mk191 oil on board

Related Paintings to Piero della Francesca :.
| Paul Vredeman de Vries - Interior of Antwerp Cathedral | Claude Monet--Apples and Grapes | Hans Memling --Triptych with the Virgin and Child Enthroned | Jan Steen, Dutch (active Leiden, Haarlem, and The Hague), 1625-26-1679 -- As the Old Ones Sing, So the Young Ones Pipe | Frederick Childe Hassam85 | | Stormy Sea | Angels Ministering to Christ in the Wilderness | The Mother wsf | Saturn,conquered by Amor (mk08) | The Pantheon,the morning after the fire |


        

 

 

 

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