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All Sandro Botticelli Oil Paintings


 
 
Sandro Botticelli The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1475 Galleria degli Uffizi, Florence
Sandro Botticelli6.jpgPainting ID::  129
 

 

 
   
      

All Filippino Lippi Oil Paintings


 
 
Filippino Lippi The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1496 Galleria degli Uffizi, Florence
Filippino Lippi9.jpgPainting ID::  2551
 

 

 
   
      

All Peter Paul Rubens Oil Paintings


 
 
Peter Paul Rubens The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1617-18 Musee des Beaux Arts, Lyons
Peter Paul Rubens1.jpgPainting ID::  3641
 

 

 
   
      

All RICCI, Sebastiano Oil Paintings


 
 
RICCI, Sebastiano The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection,
new1/RICCI, Sebastiano12.jpgPainting ID::  8922
 

 

 
   
      

All Maino, Juan Bautista del Oil Paintings

Spanish Baroque Era Painter, 1578-1649
 
 
Maino, Juan Bautista del The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
Oil on canvas Museo del Prado, Madrid.
new5/Maino, Juan Bautista del_3xZaSD.jpgPainting ID::  19250
 

 

 
   
      

All Parentino, Bernardo Oil Paintings


 
 
Parentino, Bernardo The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
Panel Musee du Louvre, Paris.
new5/Parentino, Bernardo-682724.jpgPainting ID::  19760
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist The Adoration of the magi oil painting reproduction


The Adoration of the magi
mk56 oil on canvas Venetian School,circa 1600
new3/unknow artist-964543.jpgPainting ID::  27366
 

 

 
   
      

All Maino, Juan Bautista del Oil Paintings

Spanish Baroque Era Painter, 1578-1649
 
 
Maino, Juan Bautista del The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk61 Oil on canvas 315x174cm
new3/Maino, Juan Bautista del-738534.jpgPainting ID::  28113
 

 

 
   
      

All BERRUGUETE, Pedro Oil Paintings


 
 
BERRUGUETE, Pedro The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk61 Gouache on twilled canvas 350x206cm
new3/BERRUGUETE, Pedro-453786.jpgPainting ID::  28527
 

 

 
   
      

All Hans Memling Oil Paintings


 
 
Hans Memling The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk61 Oil on panel 95x145cm
new3/Hans Memling-954734.jpgPainting ID::  28696
 

 

 
   
      

All BOSCH, Hieronymus Oil Paintings


 
 
BOSCH, Hieronymus The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk61 c.1510 Oil on panel 138x33cm
new3/BOSCH, Hieronymus-669463.jpgPainting ID::  28697
 

 

 
   
      

All Domenico Ghirlandaio Oil Paintings


 
 
Domenico Ghirlandaio The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk65 Oil on panel 67 11/16in
new3/Domenico Ghirlandaio-475689.jpgPainting ID::  28872
 

 

 
   
      

All Gentile da Fabriano Oil Paintings


 
 
Gentile da Fabriano The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk65 Tempera on panel, 68 1/8x86 5/8in Uffizi,
new3/Gentile da Fabriano-693845.jpgPainting ID::  28909
 

 

 
   
      

All Lorenzo Monaco Oil Paintings


 
 
Lorenzo Monaco The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk67 Tempera on panel 45 5/16x66 15/16in Uffizi,Gallery
new3/Lorenzo Monaco-595586.jpgPainting ID::  29722
 

 

 
   
      

All Filippino Lippi Oil Paintings


 
 
Filippino Lippi The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk67 Tempera on panel 101 9/16x95 11/16in Uffizi,Gallery
new3/Filippino Lippi-524332.jpgPainting ID::  29763
 

 

 
   
      

All Gerard David Oil Paintings


 
 
Gerard David The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk67 Tempera on panel 37 3/8x31 1/2in Uffizi,Gallery
new3/Gerard David-987529.jpgPainting ID::  29823
 

 

 
   
      

All Pontormo Oil Paintings


 
 
Pontormo The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk67 Oil on panel 33 7/16x74 13/16in Pitti,Palatine Gallery
new3/Pontormo-978884.jpgPainting ID::  29851
 

 

 
   
      

All Albrecht Durer Oil Paintings


 
 
Albrecht Durer The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk67 Oil on panel 39x44 1/16in Uffizi,Gallery
new3/Albrecht Durer-464836.jpgPainting ID::  29924
 

 

 
   
      

All BASTIANI, Lazzaro Oil Paintings


 
 
BASTIANI, Lazzaro The Adoration of the magi oil painting reproduction


The Adoration of the magi
mk76 Painted probably between 1470 and 1480 Tempera on panel 20 1/2x11in
new4/BASTIANI, Lazzaro-389946.jpgPainting ID::  31721
 

 

 
   
      

All Fra Angelico Oil Paintings


 
 
Fra Angelico The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk78 c.1435 Tempera on panel 39x56cm Florence, Museo di San Marco
new4/Fra Angelico-539572.jpgPainting ID::  32108
 

 

 
   
      

All Fra Filippo Lippi Oil Paintings


 
 
Fra Filippo Lippi The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk78 Washington,National Gallery of Art
new4/Fra Filippo Lippi-456684.jpgPainting ID::  32145
 

 

 
   
      

All DOMENICO VENEZIANO Oil Paintings

Italian Early Renaissance Painter, ca.1400-1461
 
 
DOMENICO VENEZIANO The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk78 c.1439-40 Tempera on panel, diameter 84 cm,Berlin, Staatliche Museen Preussischer Kulturbesitz. Gemaldegalerie
new4/DOMENICO VENEZIANO-972799.jpgPainting ID::  32146
 

 

 
   
      

All MASSYS, Quentin Oil Paintings


 
 
MASSYS, Quentin The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1526 Tempera and oil on wood
new4/MASSYS, Quentin-478668.jpgPainting ID::  32395
 

 

 
   
      

All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn The Adoration of The Magi oil painting reproduction


The Adoration of The Magi
mk93 Oil on paper glued to canvas 45x39cm
new10/REMBRANDT Harmenszoon van Rijn-524492.jpgPainting ID::  34595
 

 

 
   
      

All Bernardo Cavallino Oil Paintings


 
 
Bernardo Cavallino The adoration of the Magi oil painting reproduction


The adoration of the Magi
mk150 c.1640 Canvas 101.5x127cm
new12/Bernardo Cavallino-369263.jpgPainting ID::  39622
 

 

 
   
      

All VERONESE (Paolo Caliari) Oil Paintings

Italian Mannerist Painter, ca.1528-1588
 
 
VERONESE (Paolo Caliari) The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk156 1571 Oil oncanvas 206x2445
new16/VERONESE (Paolo Caliari)-494483.jpgPainting ID::  40398
 

 

 
   
      

All Albrecht Durer Oil Paintings


 
 
Albrecht Durer The Adoration of the magi oil painting reproduction


The Adoration of the magi
mk168 Oil on fir wood 75.5x170cm Basel
new16/Albrecht Durer-685266.jpgPainting ID::  42459
 

 

 
   
      

All Albrecht Durer Oil Paintings


 
 
Albrecht Durer The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk168 100x114cm Oil on coniferouswood
new16/Albrecht Durer-237546.jpgPainting ID::  42469
 

 

 
   
      

All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
mk210 1619 Cnavs 134x160cm
new18/REMBRANDT Harmenszoon van Rijn-348335.jpgPainting ID::  50253
 

 

 
   
      

All LEONARDO da Vinci Oil Paintings


 
 
LEONARDO da Vinci The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
The Adoration of the Magi, (1481)??Uffizi.
new20/LEONARDO da Vinci-965423.jpgPainting ID::  58584
 

 

 
   
      

All Luis Tristan Oil Paintings

Toledo ca ,1585-1624
 
 
Luis Tristan The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different
new21/Luis Tristan-899786.jpgPainting ID::  62318
 

 

 
   
      

All RICCI, Sebastiano Oil Paintings


 
 
RICCI, Sebastiano The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious
new21/RICCI, Sebastiano-982573.jpgPainting ID::  63048
 

 

 
   
      

All RAFFAELLO Sanzio Oil Paintings


 
 
RAFFAELLO Sanzio The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1502-03 Oil on canvas, 27 x 150 cm Pinacoteca, Vatican Extant drawings demonstrate the tremendous amount of thought which Raphael put into the realization of the Oddi Altarpiece and some details, notably the highly individual faces of the Apostles and the serene landscape in the background, are quite masterful. But the most meaningful passages are found in the predella scenes: the vast space which opens out beneath the colonnades of the Annunciation; the highly animated Adoration of the Magi; and the free quality of the atmosphere in the Presentation in the Temple, which foreshadows the extraordinary spatial intuition of some of the artist's future Vatican compositions.Artist:RAFFAELLO Sanzio Title: The Adoration of the Magi (Oddi altar) Painted in 1501-1550 , Italian - - painting : religious
new21/RAFFAELLO Sanzio-577356.jpgPainting ID::  63815
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1380-90 Tempera on wood, 50 X 31 cm Museo Nazionale del Bargello, Florence The left-hand panel of this diptych depicts the adoration of the Infant Jesus by the Magi; the right-hand panel represents the Crucifixion. This is another of the pictures whose origin has been the subject of considerable speculation among scholars, for the international uniformity which is the hallmark of the International Gothic style has led to the picture being ascribed to Avignon, Paris, Franco-Flemish, Austrian and Bohemian artists. Perhaps the closest analogy can be found in the works of the Master of Trebon (the folds of the Virgin's mantle, undulating in a similar manner, or the insubstantial birds on the roof of the Bethlehem stable). On the other hand, these details could be coincidental, or derived from a common source; until the coat of arms on the ornate bed can be positively identified these questions will remain open to speculation. Seated on her canopied bed, the Virgin receives the homage of the Magi, who are taking off their crowns. In the upper left corner we can see the Magi and their horses assembling from different directions. In the bottom right corner Joseph is sitting; when the guests arrived he was warming his feet at a brazier. Now, like the Magi, he, too, takes off his headgear with a humble gesture. (If we want to find the prototype of the figure, we could see it in the representations of the month of February in calendars of books of hours: the figure of an elderly man warming himself at the fire was the personification of February.) The picture is a strange mixture of marked condensation and of anecdotal details. The story is circumstantially told by merely putting the most important characters and decor side by side. The wealth of small objects set beside one another gradually overlap and cover the whole surface of the picture. The Virgin's canopied bed is a throne too, while its top has a double role and is also the roof of the Bethlehem building crowded with dovecotes. The space left empty by the structure of the bed-throne is filled up by a bastion. Space, as a substance, is not conveyed; the motifs are linked with one another in the way the words of a sentence are. The star, for example, is given emphasis by the small spot of nocturnal darkness surrounding it and separating it from the golden background. , Artist: UNKNOWN MASTER, French , The Adoration of the Magi (Bargello Diptych) , 1351-1400 , French , painting , religious
new21/unknow artist-527743.jpgPainting ID::  63959
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
44 x 30 cm Musee Bonnat, Bayonne , Artist: UNKNOWN MASTER, French , The Adoration of the Magi , 1451-1500 , French , painting , religious
new21/unknow artist-626946.jpgPainting ID::  63962
 

 

 
   
      

All unknow artist Oil Paintings


 
 
unknow artist The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1420 Tempera on pine, 100 x 81 cm Hessisches Landesmuseum, Darmstadt The picture is the right-side wing of a triptych (the Ortenberg Altarpiece), the central panel of which represents the Virgin and other members of her family, whilst on the left-hand wing the Nativity is depicted. The relatively large-size work, which used to decorate the high altar of the parish church of Ortenberg, was painted by a master of the Middle Rhineland, who was influenced by the Frech and Italian art of the period. The scene takes place in front of a golden background, in a narrow space, in surroundings which look like stage sets. The Virgin is seated on a red bed on the left in the tiny hut-small in proportion to the size of the figures-in Bethlehem and, holding the naked Infant on her lap. She receives the homage of the Magi who are arriving from the right. Strangely enough, the shed is attached to the dark rocks, whereas on the right it is directly adjacent to a tower in the town. With a na'ive ingenuity the painter represented the hut as if seen from above, while the tower is depicted from a point of view below it. Thus he was able to give the impression that the latter was higher. Without using this solution he would have been obliged to cut the tower into two and could not have shown the characteristic ridge of its roof. Or else, he should not have allowed the hut to reach the frame-and in this case what would have filled up the top left corner of the picture? Evidently it was important for him to fill up the whole surface of the picture. That is why he painted the jug above the bent back of Joseph, who is squatting in the left corner, and this is the purpose, among others, of the little red table and the bread-basket which is hung on the rocky wall. It is with infinite humility and devotion that the two kneeling Magi kiss the hand and the foot of Jesus. As an expression of their veneration they also take off their crown. The one nearer to the spectator puts it on the large table, a round object rather similar to the haloes, as if he were solemnly placing a gift on an altar. This symbolic meaning of the table is perhaps stressed by the bread-basket hung on the wall above the head of Jesus and which refers to the Eucharist. The frame, like a setting of some precious stone or noble metal, encloses the picture and contributes to its markedly sublime and solemn mood. Indeed, the painting is full of representation of fine examples of the goldsmith s art, e.g. the crowns, the gold sword and the huge, heavy haloes which resemble golden dishes, and what is more, the technique of the painting itself has affinities with the work executed by goldsmiths of the period. The silver underpaint of the garments lends a metallic sheen to the translucent, enamel-like top layer of yellowish paint. , Artist: UNKNOWN MASTER, German , The Adoration of the Magi , 1401-1450 , German , painting , religious
new21/unknow artist-264478.jpgPainting ID::  63966
 

 

 
   
      

All RUBENS, Pieter Pauwel Oil Paintings

Flemish Baroque Era Painter, 1577-1640
 
 
RUBENS, Pieter Pauwel The Adoration of the Magi oil painting reproduction


The Adoration of the Magi
1624 Oil on panel Koninklijk Museum voor Schone Kunsten, Antwerp , Artist: RUBENS, Pieter Pauwel , The Adoration of the Magi (detail) , 1601-1650 , Flemish , painting , religious
new21/RUBENS, Pieter Pauwel-348654.jpgPainting ID::  64195
 

 

 
   
      

RUBENS, Pieter Pauwel
  
Flemish Baroque Era Painter, 1577-1640
The Adoration of the Magi
1624 Oil on panel Koninklijk Museum voor Schone Kunsten, Antwerp , Artist: RUBENS, Pieter Pauwel , The Adoration of the Magi (detail) , 1601-1650 , Flemish , painting , religious

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