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Duccio di Buoninsegna Maesta oil painting reproduction


Maesta
Painting ID::  6486
   1288-1300 Tempera on wood, 31,5 x 22,5 cm Kunstmuseum, Bern

 
 
   
      

All MEMMI, Lippo Oil Paintings

Italian Byzantine Style Painter, ca.1290-1347
 
 
MEMMI, Lippo Maesta oil painting reproduction


Maesta
Painting ID::  8187
   1317 Fresco Palazzo Pubblico, San Gimignano

 
 
   
      

All Simone Martini Oil Paintings
 
 
Simone Martini Maesta oil painting reproduction


Maesta
Painting ID::  33271
   mk83 c.1315 Fresco 763x970cm

 
 
   
      

All Duccio di Buoninsegna Oil Paintings
 
 
Duccio di Buoninsegna Maesta oil painting reproduction


Maesta
Painting ID::  33274
   mk83 1308-1311 Tempera and oil on wood 211x426cm

 
 
   
      

All Cimabue Oil Paintings
 
 
Cimabue Maesta oil painting reproduction


Maesta
Painting ID::  33301
   mk86 c.1270 Tempera on wood 427x280cm Paris. Musee National du Louvre

 
 
   
      

All Simone Martini Oil Paintings
 
 
Simone Martini Maesta oil painting reproduction


Maesta
Painting ID::  33303
   mk86 1315/16 Fresco 10.58x9.77 Siena,Palazzo Pubblico. Museo Civico

 
 
   
      

All Cimabue Oil Paintings
 
 
Cimabue Maesta oil painting reproduction


Maesta
Painting ID::  58393
   Maest??, 1280-1285, Uffizi Gallery, Florence

 
 
   
      
Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Maesta
Maest??, 1280-1285, Uffizi Gallery, Florence

Related Paintings to Cimabue :.
| Christ as Man of Sorrows | Village at Sunset (nn04) | The Table in the kitchen | Loss | Roundel with Head |

        
 
   
 

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