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All Bartolome Esteban Murillo Oil Paintings


 
 
Bartolome Esteban Murillo Virgin and the Son oil painting reproduction


Virgin and the Son
mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection
new21/Bartolome Esteban Murillo-645477.jpgPainting ID::  62560
 

 

 
   
      

All Bartolome Esteban Murillo Oil Paintings


 
 
Bartolome Esteban Murillo Virgin and the Son oil painting reproduction


Virgin and the Son
Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection
new21/Bartolome Esteban Murillo-697327.jpgPainting ID::  62561
 

 

 
   
      

All Bartolome Esteban Murillo Oil Paintings


 
 
Bartolome Esteban Murillo Virgin and the Son oil painting reproduction


Virgin and the Son
mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet
new21/Bartolome Esteban Murillo-654895.jpgPainting ID::  62562
 

 

 
   
      

All Bartolome Esteban Murillo Oil Paintings


 
 
Bartolome Esteban Murillo Virgin and the Son oil painting reproduction


Virgin and the Son
mk284 Oil on canvas 137 x 112 cm Paris, private collection
new21/Bartolome Esteban Murillo-586492.jpgPainting ID::  62580
 

 

 
   
      

All Bartolome Esteban Murillo Oil Paintings


 
 
Bartolome Esteban Murillo Virgin and the Son oil painting reproduction


Virgin and the Son
mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
new21/Bartolome Esteban Murillo-458358.jpgPainting ID::  62581
 

 

 
   
      

Bartolome Esteban Murillo
  
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
Virgin and the Son
mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz

Related Paintings to Bartolome Esteban Murillo :.
| Giovanni dal Ponte - The Trinity - Centre Pinnacle | Savery, Hans (I) -- Een aangespoelde potvis op het strand bij Noordwijk, 28 december 1614 | Spinello Aretino - Two Haloed Mourners | Claude Monet 217 | Copy after Frans Hals--Frans Hals | | 1830s lithograph based on the last portrait of Brant, an 1806 oil on canvas painting by Ezra Ames. | Signed and dated J. Thomson | Stephanus Geraerdts | Meadow of St Isidore | Count Ugolino and his sons in prision |


        

 

 

 

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