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All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn Artemisia oil painting reproduction


Artemisia
1634 Oil on canvas, 142 x 152 cm Museo del Prado, Madrid
new1/REMBRANDT Harmenszoon van Rijn96.jpgPainting ID::  8853
 

 

 
   
      

All REMBRANDT Harmenszoon van Rijn Oil Paintings


 
 
REMBRANDT Harmenszoon van Rijn Artemisia oil painting reproduction


Artemisia
mk61 1634 Oil on canvas 142x153cm
new3/REMBRANDT Harmenszoon van Rijn-823892.jpgPainting ID::  28727
 

 

 
   
      

All Artemisia Gentileschi Oil Paintings


 
 
Artemisia  Gentileschi Artemisia oil painting reproduction


Artemisia
Date 1620 cyf
new24/Artemisia Gentileschi-934354.jpgPainting ID::  83084
 

 

 
   
      

Artemisia Gentileschi
  
Italian 1593-1652 Artemisia Gentileschi Gallery Gentileschi was born on July 8, 1593 in Rome. She was the daughter of the painter Orazio Gentileschi and was trained by him. Our perception of Gentileschi has been colored by the legend surrounding her. Her alleged rape by her father colleague, the quadratura painter Agostino Tassi, when she was 17, was the subject of a protracted legal action brought by Orazio in 1611. Although she was subsequently married off to Pietro Antonio di Vicenzo Stiattesi in 1612 and gave birth to at least one daughter, she soon separated from her husband and led a strikingly independent life for a woman of her time - even if there is no firm evidence for the reputation she enjoyed in the 18th century as a sexual libertine. After her marriage, Gentileschi lived in Florence until about 1620. She then worked in Genoa and settled in Naples in 1630. Gentileschi traveled to England in 1638-40, where she collaborated with her father on a series of canvasses for the Queen House, Greenwich (now Marlborough House, London). Gentileschi died in Naples in 1652. It is tempting to adduce the established biographical data in partial explanation of the context of her art: the sympathy and vigor with which she evokes her heroines and their predicaments, and her obsession with that tale of female triumph, Judith and Holofernes. But such possibilities should not distract attention from the high professional standards that Gentileschi brought to her art. In a letter, dated July 3, 1612, to the Grand Duchess of Tuscany, Orazio claimed that "Artemisia, having turned herself to the profession of painting, has in three years so reached the point that I can venture to say that today she has no peer. Despite the obvious exaggeration, one can agree that Gentileschi art was of a consistently high quality virtually from the beginning.
Artemisia
Date 1620 cyf

Related Paintings to Artemisia Gentileschi :.
| Tulips and Daises | Rembrandt van Rijn -- Archangel Raphael Leaving the Family of Tobit | Rubens, Pedro Pablo (y taller)-Aquiles descubierto por Ulises entre las hijas de Licomedes | John Constable198 | Willem van de Velde the Younger - A Yacht and Other Vessels in a Calm | | Cyclone | Self-portrait | Advocates arrested | A Jam of Saw Logs on the Upper Fall in the Little Shawanagan River [Sic] - 20 Miles Above Three Rivers, | Christ Served by the Angels |


        

 

 

 

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