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Albrecht Durer Madonna by the Wall oil painting reproduction


Madonna by the Wall
1514 Engraving, 149 x 101 mm Metropolitan Museum of Art, New York Critics call this the most perfect and rare of all of D?rer's engravings, assigning to it a special place among all of D?rer's plates. It is transitional from the technique of deep black lines to a more even-tempered, silvery mat texture. Its mood is almost tragic, akin to that of Melencolia I, perhaps because of the death of D?rer's mother, which occurred on May 14, 1514. Whereas the Madonna with the Monkey is pure black and white, the Madonna by the Wall shows a unique variety of texture resulting in a colouristic effect. The Madonna by the Wall represents a perfect coincidence of apparent opposites. Regal, virginal, yet humble and motherly. Its utmost precision of design is combined with incomparable softness of texture. The Infant Christ is here holding an apple (compare Madonna by the Tree). In the background appears the castle of Nuremberg, which D?rer could see from the windows of his house.Artist:D?RER, Albrecht Title: Madonna by the Wall Painted in 1501-1550 , German - - graphics : religious
new21/Albrecht Durer-974794.jpgPainting ID::  63603
 

 

 
   
      

Albrecht Durer
  
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
Madonna by the Wall
1514 Engraving, 149 x 101 mm Metropolitan Museum of Art, New York Critics call this the most perfect and rare of all of D?rer's engravings, assigning to it a special place among all of D?rer's plates. It is transitional from the technique of deep black lines to a more even-tempered, silvery mat texture. Its mood is almost tragic, akin to that of Melencolia I, perhaps because of the death of D?rer's mother, which occurred on May 14, 1514. Whereas the Madonna with the Monkey is pure black and white, the Madonna by the Wall shows a unique variety of texture resulting in a colouristic effect. The Madonna by the Wall represents a perfect coincidence of apparent opposites. Regal, virginal, yet humble and motherly. Its utmost precision of design is combined with incomparable softness of texture. The Infant Christ is here holding an apple (compare Madonna by the Tree). In the background appears the castle of Nuremberg, which D?rer could see from the windows of his house.Artist:D?RER, Albrecht Title: Madonna by the Wall Painted in 1501-1550 , German - - graphics : religious

Related Paintings to Albrecht Durer :.
| Francis Godolphin, 2nd Earl of Godolphin by Jean Baptiste van Loo | Velde, Willem van de (II) -- Nachtelijk gevecht tussen Cornelis Tromp op de Gouden Leeuw en Sir Edward Spragg op de Royal Prince tijdens de zeeslag bij Kijkduin, 1673 - 1707 | Snayers, Peter-Asedio de Aire-sur-la-Lys-184 cm x 263 cm | Barn Owl | Fernand Cormon--Crouching Woman | | Breakfast with Ham | Louis XVI in Coronation Robes | Anonimo aleman activo en la corte de Ansbach | They Come | Rhyton in the form of a lion griffin |


        

 

 

 

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