All Kasimir Malevich Oil Paintings

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Kasimir Malevich Knife - Grinder (mk09) oil painting

Knife - Grinder (mk09)
Painting ID::  21676
Artist: Kasimir Malevich
Painting: Knife - Grinder (mk09)
Introduction: 1912 Oil on canvas,79.5 x 79.5 cm New Haven,Yale University Art Gallery








Kasimir Malevich The Flower Gathering (Mk19) oil painting

The Flower Gathering (Mk19)
Painting ID::  22367
Artist: Kasimir Malevich
Painting: The Flower Gathering (Mk19)
Introduction: 1908 Water-Colour,Gouache and pencil on cardboard,23.5 x 25.5 cm Private collection








Kasimir Malevich Epitaphios (The Shroud of Christ) (mk19) oil painting

Epitaphios (The Shroud of Christ) (mk19)
Painting ID::  22368
Artist: Kasimir Malevich
Painting: Epitaphios (The Shroud of Christ) (mk19)
Introduction: 1908 Gouache on carton,23.4 x 34.3 cm Tretiakov Gallery,Moscow








Kasimir Malevich Oak and Dryads (mk19) oil painting

Oak and Dryads (mk19)
Painting ID::  22369
Artist: Kasimir Malevich
Painting: Oak and Dryads (mk19)
Introduction: c 1908 Water-colour and gouache on paper,21 x 28 cm Private collection








Kasimir Malevich Repose Society in Top Hats (mk19) oil painting

Repose Society in Top Hats (mk19)
Painting ID::  22370
Artist: Kasimir Malevich
Painting: Repose Society in Top Hats (mk19)
Introduction: 1908 Water-colour,gouache,Indian ink,and ceruse on cardboard,23.8 x 30.2 cm Russian Museum,Saint Petersburg








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     Check All Kasimir Malevich's Paintings Here!
     1878-1935 Kasimir Malevich Gallery In 1904, after the death of his father, he moved to Moscow. He studied at the Moscow School of Painting, Sculpture and Architecture from 1904 to 1910 and in the studio of Fedor Rerberg in Moscow (1904?C1910). In 1911 he participated in the second exhibition of the group Soyuz Molodyozhi (Union of Youth) in St. Petersburg, together with Vladimir Tatlin and, in 1912, the group held its third exhibition, which included works by Aleksandra Ekster, Tatlin and others. In the same year he participated in an exhibition by the collective Donkey's Tail in Moscow. By that time his works were influenced by Natalia Goncharova and Mikhail Larionov, Russian avant-garde painters who were particularly interested in Russian folk art called lubok. In March 1913 a major exhibition of Aristarkh Lentulov's paintings opened in Moscow. The effect of this exhibition was comparable with that of Paul Cezanne in Paris in 1907, as all the main Russian avant-garde artists of the time (including Malevich) immediately absorbed the cubist principles and began using them in their works. Already in the same year the Cubo-Futurist opera Victory Over the Sun with Malevich's stage-set became a great success. In 1914 Malevich exhibited his works in the Salon des Independants in Paris together with Alexander Archipenko, Sonia Delaunay, Aleksandra Ekster and Vadim Meller, among others. It remains one of the great mysteries of 20th century art, how, while leading a comfortable career, during which he just followed all the latest trends in art, in 1915 Malevich suddenly came up with the idea of Suprematism. The fact that Malevich throughout all his life was signing and re-signing his works using earlier dates makes this u-turn in his artistic career even more ambiguous. Be that as it may, in 1915 he published his manifesto From Cubism to Suprematism. In 1915-1916 he worked with other Suprematist artists in a peasant/artisan co-operative in Skoptsi and Verbovka village. In 1916-1917 he participated in exhibitions of the Jack of Diamonds group in Moscow together with Nathan Altman, David Burliuk and A. Ekster, among others. Famous examples of his Suprematist works include Black Square (1915) and White on White (1918). In 1918 Malevich decorated a play Mystery Bouffe by Vladimir Mayakovskiy produced by Vsevolod Meyerhold. Malevich also acknowledged that his fascination with aerial photography and aviation led him to abstractions inspired by or derived from aerial landscapes. Harvard doctoral candidate Julia Bekman Chadaga writes: ??In his later writings, Malevich defined the 'additional element' as the quality of any new visual environment bringing about a change in perception .... In a series of diagrams illustrating the ??environments' that influence various painterly styles, the Suprematist is associated with a series of aerial views rendering the familiar landscape into an abstraction..." (excerpted from Ms. Bekman Chadaga's paper delivered at Columbia University's 2000 symposium, "Art, Technology, and Modernity in Russia and Eastern Europe"). . Related Artists to Kasimir Malevich : | Hannah Palmer | John Constable | George Fennel Robson | Luca Carlevarijs | Jeanne-Philiberte Ledoux |




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