All Dante Gabriel Rossetti Oil Paintings

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Dante Gabriel Rossetti Portrait of Algernon Swinburne oil painting

Portrait of Algernon Swinburne
Painting ID::  3606
Artist: Dante Gabriel Rossetti
Painting: Portrait of Algernon Swinburne
Introduction: 1861








Dante Gabriel Rossetti The Seed of David oil painting

The Seed of David
Painting ID::  3607
Artist: Dante Gabriel Rossetti
Painting: The Seed of David
Introduction: 1858-64 Llandaff Cathedral, Wales








Dante Gabriel Rossetti The Wedding of Saint George and Princess Sabra oil painting

The Wedding of Saint George and Princess Sabra
Painting ID::  3608
Artist: Dante Gabriel Rossetti
Painting: The Wedding of Saint George and Princess Sabra
Introduction: 1857 Watercolor on paper 14 3/8 x 14 3/8 in Tate Gallery, London








Dante Gabriel Rossetti Found oil painting

Painting ID::  3609
Artist: Dante Gabriel Rossetti
Painting: Found
Introduction: 1854 36 x 31 1/2 in Delaware Art Museum, Wilmington








Dante Gabriel Rossetti The First Anniversary of the Death of Beatrice oil painting

The First Anniversary of the Death of Beatrice
Painting ID::  3610
Artist: Dante Gabriel Rossetti
Painting: The First Anniversary of the Death of Beatrice
Introduction: 1853-54 Ashmolean Museum, Oxford








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     Check All Dante Gabriel Rossetti's Paintings Here!
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess. . Related Artists to Dante Gabriel Rossetti : | Fernando Yanez | Rene Herisson | Wolf Huber | Saloman van Ruysdael | Charles van den Daele |




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